Davis Guggenheim’s new documentary about the need for reform in the American school system is one of the most important films of the year and everyone should go see it. Although I have a number of significant problems with the movie (which – rest assured – will be inventoried below), I think there are a lot of dark truths that Guggenheim brings to light, and even if we don’t all agree on what the solutions are, we can agree on what’s at stake in getting it right.

Waiting for “Superman” follows the journey of five students, and their individual quests to improve their educational opportunities. I’d say the movie gets about 75% of it right: the system is failing these students, and millions like them. But while it might make a good movie narrative to divide the issue into good guys (charter schools) and bad guys (teachers unions), the real issues surrounding education in this country are much more complicated than Guggenheim suggests.

I came out of the movie disappointed about many of the factual inaccuracies and glaring omissions that Guggenheim uses to make his case, but I found that these were well addressed by this piece in the Washington Post. Even better is this excellent article in The Nation, which digs much deeper into the issues surrounding the debate. I strongly recommend these two articles, as they cover a lot of ground that I consequently won’t need to cover.

I do believe that Guggenheim is sincere in his desire to reform education, and that’s important to say, because many participants in this discussion are not. Their goal is to end taxpayer-funded education entirely, and they tend to support measures that move the nation closer to this ultimate goal. The problem with this is that the free market will do an excellent job of educating some of our students, while a great number of children in this country will be starkly left behind. So I’m on my guard when I hear arguments about how charter schools have solved all of the problems faced by public education. But despite some of the darker connections behind Waiting for “Superman”, I do believe that the filmmaker is earnest and I can counter his points secure in the belief that we share the common goal of educating all of our students.

Not only does Guggenheim omit important details, but he often doesn’t even draw the correct conclusions from the evidence actually presented in the movie. What was most striking to me was how powerfully the film showed how the lack of economic opportunities for parents in these inner-city communities directly impacts the education of their children. That alone was worth the price of the surprisingly expensive ticket. But then, we’re told that “many experts” (who?) now believe that failing schools are responsible for failing communities, not the other way around.

Each of the five children depicted has a parent or guardian who is hell-bent on making sure the child has the best education possible. They enter their children into a lottery for the local high-performing charter schools. Presumably, all of the children in the lottery have similarly committed parents. That makes for a pretty good head start for the charter school. Public schools tend to have a more varied range of parent commitment. Also, did you notice how few students are accepted each year? What does that do for class size? And I have to mention, even though it’s well covered in the articles linked above, the large amounts of private funding that the high-performing charter schools depicted in the movie enjoy.

So yes, the charter schools in the film are doing very well, and that’s great news for the students who attend them. But if, as it is admitted in the movie, only one in five charter schools are showing results, that’s a dismal record indeed. And despite the emotionally manipulative scenes where each student’s “fate” was decided by random lottery, I felt myself more concerned for the students who were never in the lottery.

So perhaps the real lesson we can learn from the successful charter schools is that, if the school has a clear and progressive vision, then increased funding can actually make a difference in student achievement. And if we take a closer look at what Geoffrey Canada is really doing for the students in the Harlem Children’s Zone, we might realize that student achievement isn’t only impacted within the school building. He may have even created a microcosm of the society we would have if we could make the connection between our nation’s social fabric and the way our children are educated.

But “firing all the bad teachers” is a much more digestible solution.

And yes, there are bad teachers, and I agree that it should be easier to get rid of them. But in truth, this represents a very small part of the problem, and blaming teachers unions for the decline in educational quality is seriously misguided. Teachers unions have been and should be a partner in education reform, but they also have the task of protecting the rights of their members. Teachers have the same rights to collective bargaining as any other labor force in the country. To frame the issue as children vs. adults is a dangerous distraction, especially when our goal should be to attract the very best people to the profession, and retain them once they’re in. The movie makes the point that great schools start with great teachers. I agree! So let’s make teaching the most desirable profession in America. You can read more about teacher recruitment and retention issues in this Washington Post article. Because once we’ve fired all the bad teachers, who will we get to replace them?

By the way, nobody is actually waiting for Superman to come and save our children. It’s a classic rhetorical trick to frame the sides of the debate as the people who agree with the solutions provided and the people who would rather do nothing. But smart and passionate people are already implementing solutions within public education that resonate with the solutions presented by Guggenheim. Here in New York City, we’ve increased educational accountability enormously, and with the cooperation of the teachers union. Nationally, we’re moving towards Common Core Standards for student achievement. We’re not there yet, not by a longshot, but nobody in the system is complacent about that.

Still, despite all the movie gets wrong, it should be praised for shining a spotlight on issues that have been festering in the darkness. This movie has the potential to spark a national conversation about the problems in American education, and how we can best address them. If it does that, despite the film’s flaws, its ultimate effect will be a net positive. If it does that, it will be my very favorite of all of the Superman films.

UPDATE: An anagram review.

I am proud to announce that I have recently published a chapter in this book on teaching literature through technology. You can ignore the description; it seems to have been inadvertently switched with that of this book. Neither page describes my chapter, but you can read the abstract on the publisher’s page, or I could just tell you what it’s about.

Unlike this blog, the book chapter is actually about teaching Shakespeare! No riddles. No anagrams. No politics. (Well, maybe a little bit of politics.)

Here is the basic idea. I begin by citing experts who are skeptical of the ability of elementary school students to do Shakespeare. Specifically, I discuss the Dramatic Age Stages chart created by Richard Courtney.

Courtney describes “The Role Stage” as lasting from ages twelve to eighteen, at which point students are capable of a number of new skills that I would consider essential for understanding Shakespeare in a meaningful way. These skills include the ability to think abstractly, to understand causality, to interpret symbols, to articulate moral decisions, and to understand how a character relates to the rest of the play. So based on this chart, I would have to conclude that a student younger than twelve would not be ready to appreciate Shakespeare in these ways.

But Courtney bases his chart on the framework of developmental phases of Swiss psychologist Jean Piaget. These phases describe what a lone child can demonstrate under testing conditions. A more accurate and nuanced way of looking at development is provided in the work of Soviet psychologist Lev Vygotsky, who described a “Zone of Proximal Development” (ZPD), which is a range between what a child can demonstrate in isolation, and what the same child can do under more social conditions.

So I wondered if fifth-grade students (aged 10) would have some of the skills associated with “The Role Stage” somewhere in their ZPD. If so, a collaborative class project should provide enough scaffolding to develop those skills and allow ten-year-old students to understand and appreciate Shakespeare on that level.

So I developed and implemented a unit to teach Macbeth to a fifth-grade class in the South Bronx, using process-based dramatic activities, a stage production of the play performed for their school, and a web-based study guide to apply what they had learned. The idea was to use collaborative projects to get the kids to work together to make collective sense of the play. I then examined their written work for evidence that they had displayed the skills associated with “The Role Stage” in Courtney’s chart, and I was able to find a great deal of it.

I also create a three-dimensional rubric to assess the students’ work over the course of the unit. I say a three-dimensional rubric because I use the same eight categories in all three rubrics, but they develop over time to reflect the increased sophistication that I expect the students to demonstrate. I then compare the students’ performance-based rubric scores to their reading test scores to demonstrate that standardized testing paints only a very limited picture of what a student can achieve. (I did say that it had a little bit of politics.)

Anyway, that’s what my chapter was about. I just saved you $180! And I’m hoping to return to a regular blogging schedule soon, so more content is hopefully on the way.

with apologies to Elizabeth Bishop

This is a school in Brooklyn.

This is a student out in the yard
Who needs his Student Metrocard
To get to his school in Brooklyn.

These are the books that are much too hard
For the struggling student who needs a card
To get to his school in Brooklyn.

This is a principal with budget cut short
Who is forced to scale back and is needing support
To replace the books that are much too hard
For the curious student who needs a card
To get to his school in Brooklyn.

This is the yearly progress report
For the desperate principal needing support
To replace the books that are much too hard
For the sleeping student who needs a card
To get to his school in Brooklyn.

This is the panel that serves as a Board
That looks at the tests to see how we scored
To issue a yearly progress report
To the desperate principal needing support
To replace the books that are much too hard
For the hard-working student who needs a card
To get to his school in Brooklyn.

This is the Mayor who’s closing the schools
And like it or not we must follow his rules
For he chooses eight of thirteen on the Board
That looks at the tests to see how we scored
To issue a yearly progress report
To the desperate principal needing support
To replace the books that are much too hard
For the faceless student who needs a card
To get to his school in Brooklyn.

This is a city in fiscal dismay
That inflated its scores for Election Day
To support the Mayor who picks the Board
That looks at the tests to see how we scored
To issue a yearly progress report
To the desperate principal needing support
To replace the books that are much too hard
For the hungry student who needs a card
To get to his school in Brooklyn.

This is a state that pulls funds away
From its largest city in fiscal dismay
That elects the Mayor who picks the Board
That looks at the tests to see how we scored
To issue a yearly progress report
To the desperate principal needing support
To replace the books that are much too hard
For the creative student who needs a card
To get to his school in Brooklyn.

This is the Congress with heavy mandate
That sends rules but not money to the crowded state
That diverts precious funds away
From its largest city in fiscal dismay
That elects the Mayor who picks the Board
That looks at the tests to see how we scored
To issue a yearly progress report
To the desperate principal needing support
To replace the books that are much too hard
For the failing student who needs a card
To get to his school in Brooklyn.

This is a country that lives only to borrow
And spend money on yesterday, not on tomorrow,
With the help of the Congress with heavy mandate
That sends rules but not money to the crowded state
That diverts precious funds away
From its largest city in fiscal dismay
That elects the Mayor who picks the Board
That looks at the tests to see how we scored
To issue a yearly progress report
To the desperate principal needing support
To replace the books that are much too hard
For the brilliant student who needs a card
To get to his school in Brooklyn.

These are the teachers who catch the blame,
Year after year it is always the same,
In a country so broke it must constantly borrow
And spend money on yesterday, not on tomorrow,
With the help of the Congress with heavy mandate
That sends rules but not money to the crowded state
That diverts precious funds away
From its largest city in fiscal dismay
That elects the Mayor who picks the Board
That looks at the tests to see how we scored
To issue a yearly progress report
To the desperate principal needing support
To replace the books that are much too hard
For the innocent student who’s losing his card
To get to his school in Brooklyn.

It’s time once again to check in on what searches people have done to find themselves at Shakespeare Teacher, and to respond in the name of fun and public service. All of the following searches brought people to this site in the past week.

That’s a great question. I think it’s fair to say the idea that human beings develop in distinct stages was pioneered by Sigmund Freud in the 20th century, when he outlined his psycho-sexual stages of development in childhood. Erik Erikson, a developmental psychologist strongly influenced by Freud, described his own set of psycho-social stages, which carried through to adulthood.

Groundbreaking as these ideas were, they were to some degree anticipated by Shakespeare in his Seven Ages of Man speech from As You Like It. In the speech, Shakespeare describes seven developmental stages that carry through from childhood to adulthood, and the common characteristics that men display at each stage. Freud and Erikson would later codify this scientifically, but the Bard was able to figure it out just by observing the human condition. Point: Humanities!

It’s worth noting that both Freud and Erikson wrote about Shakespeare, and Hamlet in particular, to describe their theories. In a 1962 article entitled “Youth: Fidelity and Diversity,” Erikson actually references Shakespeare’s “ages of man” before spending about four pages examining fidelity and identity in Hamlet. So it would seem that the answer to the question is, yes, Erikson was influenced by Shakespeare to some degree, as was Freud. But influence often tends to be reflective, and the developmental psychologists certainly left their mark on Shakespeare as well.

I touched on this a bit about a month ago. I used to use “Mosh” to teach poetic devices, and I’m having trouble finding a more contemporary replacement. I’ll just give a sampling of each of the poetic devices I mentioned in that post. I tend to use only the middle stanza and the chorus, which I make into a handout. I also distribute the Prologue for Romeo and Juliet as a handout, so we can compare the two.

Repetition: “We gonna fight, we gonna charge, we gonna stomp, we gonna march”; “All you can see is a sea of people”; “If it rains let it rain”; “Rebel with a rebel yell”

Rhyme: Not only is there end rhyme, but there is internal rhyme as well. “They tell us no we say yea, they tell us stop we say go/ Rebel with a rebel yell, raise hell we gonna let em know”; “yea the wetter the better”; “that we need to proceed”

Rhythm: “Mosh” is written in anapestic tetrameter, which I always point out is the same meter as “‘Twas the Night Before Christmas”… and other popular poems as well. The Prologue for Romeo and Juliet, of course, is in iambic pentameter.

Alliteration: Note that in “we gonna mosh through the marsh” the words “mosh” and “marsh” start and end with the same sounds. Compare with “doth with their death” in the Prologue for Romeo and Juliet.

Antithesis: “They tell us no we say yea, they tell us stop we say go”; “from the front to the back”; “some white and some black”

Allusion: There’s a reference to George W. Bush in the passage.

Emendation: This is where I edited the reference to George W. Bush. I usually change it to “Stomp, push, shove, mush, [mock] Bush” even using the brackets like a Shakespeare editor.

In a 2006 interview with Brian Williams, President Bush claimed to have recently read “three Shakespeares” in addition to curling up with some Camus:

WILLIAMS: We always talk about what you’re reading. As you know, there was a report that you just read the works of a French philosopher. (Bush laughs)

BUSH: The Stranger.

WILLIAMS: Tell us the back story of Camus.

BUSH: The back story of the the book?

WILLIAMS: What led you to…

BUSH: I was in Crawford and I said I was looking for a book to read and Laura said you oughtta try Camus, I also read three Shakespeare’s.

WILLIAMS: This is a change…

BUSH: Not really. Wait a minute.

WILLIAMS: A few months ago you were reading the life story of Joe DiMaggio by Richard Ben Cramer.

BUSH: Which was a good book.

WILLIAMS: You’ve been on a Teddy Roosevelt reading kick.

BUSH: Well, I’m reading about the battle of New Orleans right now. I’ve got an eclectic reading list.

Williams didn’t ask him what “Shakespeares” he read, but I have my guess at one of them, as well as a selection I wish he’d read.

The constant pi is nature’s random digit generator, stretching out infinitely long and with no predictable pattern. This means that any finite string of numbers can be found somewhere out in the vast expanse of digits.

So if we were to express the Complete Works of Shakespeare in, say, ASCII code, it would indeed be represented as a very long, but certainly finite, string of digits. This string of digits is represented somewhere in pi, not once, but an infinite number of times. What’s more, the very first time it appears would be a finite distance in. Which means, there is some number X where you could say that if you start X digits into pi, you can read the Complete Works of Shakespeare.

Before you get too excited by that, you should realize that X is so unfathomably large that it would most likely be beyond human comprehension to even find a way to express it, let alone come anywhere near identifying it. You may think of the monkeys-at-typewriters thought experiment (and for our purposes, we can consider both the digits of pi and monkeys typing to be generating random characters). Even using theoretical monkeys, the number of simian typists needed would be beyond astronomical.

But, yes, the Complete Works of Shakespeare are somewhere in pi with a probability of 1. If the thought of that makes you smile, I’ve done my job.

Henry IV was often referred to as Henry Bolingbroke, but actually, his last name was Plantagenet.

In fact, all of the English kings from Henry II to Richard III carried the surname Plantagenet. This means that throughout the entire Wars of the Roses, the Yorks and Lancasters all had the same last name, which is found throughout the history plays. This is because both sides were led by male-line descendants of Edward III. There is a reference to this in Richard III, as Richard hits on the widow of the cousin he killed:

Glo. He that bereft thee, lady, of thy husband,
Did it to help thee to a better husband.
Anne. His better doth not breathe upon the earth.
Glo. He lives that loves thee better than he could.
Anne. Name him.
Glo. Plantagenet.
Anne. Why, that was he.
Glo. The self-same name, but one of better nature.
Anne. Where is he?
Glo. Here.

The long Plantagenet line comes to an end in 1485, when Richard III is defeated by a young man named Henry Tudor.

Rick Astley, before he became well known as a singer, did a bit of acting and even performed in some Shakespeare. Most of his Shakespeare work was done on stage and not screen, but there is a video clip of him performing the “never give her o’er” speech from The Two Gentlemen of Verona. The video can be found on YouTube here.

I leave the task of responding to the remaining search terms to my readers:

It’s time once again to check in on what searches people have done to find themselves at Shakespeare Teacher, and to respond in the name of fun and public service. All of the following searches brought people to this site in the past week.

In the episode “Bringing Up Buster,” George-Michael, Maeby, and Steve Holt get involved with a Shakespeare play, which Tobias ends up directing. The cast list is posted below a sign that says Much Ado About Nothing, and the character names are Beatrice and Benedick, so that would seem to be that. But the lines in the play are from As You Like It. And is that kid on stage behind Maeby dressed like a donkey?

Rex means king in Latin. The letter X following the name of a king, as in King Louis X, is the Roman numeral for 10. So, for example, King Louis X of France is the tenth King of France named Louis. It should be pronounced “the Tenth.”

In the case of Malcolm X, it would be a major faux pas to say “Malcolm the Tenth.” Malcolm Little chose to replace his last name with the letter X to represent the lost names of African families taken to America in slavery.

Great question! I’ll leave it as an exercise for the reader. The four letters are “RSTU” and they appear consecutively in a word that relates to live theatre. Does anyone know what it is?

UPDATE: The answer can be found in the comments for this post.

Shakespeare was born in the latter half of the 16th century, a century largely shaped by the Protestant Reformation, which affected each country differently. Scotland broke with the Pope in 1560. (For reference, Shakespeare was born in 1564, and King James in 1566.) The movement was led by John Knox, who studied with John Calvin in Geneva, and then returned to Scotland. The Scottish Reformation led to the foundation of the Presbyterian Church.

James was raised in the Church of Scotland, but came to feel that Presbyterianism was incompatible with monarchy. His reforms took hold during, and beyond the life of Shakespeare. For more information about the Church of Scotland, see this list of resources.

Yes, at least the later Tudors. Shakespeare lived in Tudor England for the first part of his life, and would have spoken roughly the same version of English as the royal family, setting aside allowances for class. But Shakespeare did not always write the way he spoke. Much of the language in his plays and poems is heightened, not trying to capture the way that people would have sounded, but rather to use language to express internal thoughts and emotions. It’s something he was very good at doing, needless to say.

It’s worth noting that the King James Bible was also published in Shakespeare’s lifetime (1611), which is why the language is so similar: “Thou shalt not…” and so on. The Bible was also translated into heightened language, though, and should not be considered an authentic representation of how people would have spoken at the time.

I like to do Forum Theatre. Have students devise a scene illustrating a problem that is prevalent among them. There should be a clear protagonist who wants something but is prevented from getting it because of the problem. They perform the scene. Then they perform it again, but any member of the audience may interrupt the scene by yelling out “Stop!” at any time. At this point, the intervening audience member (spect-actor) replaces the protagonist and tries a new strategy. The other actors improvise around the new protagonist. This is a great way to workshop constructive solutions to pressing problems, to begin a process of rehearsing to make change, and to learn a lot about your students!

I leave the task of responding to the remaining search terms to my readers:

who did shakespeare admire

how shakespeare affected the english language

why francis bacon couldn’t have written shakespeare

king james badmouthed shakespeare

shakespeare games for five year olds ideas

how to make king lear fun

Last week, I posted a list of my ten favorite iPhone apps. Recently, I helped my young nephews (ages 5 and 7) load up their iPod Touches with some fun apps for them. I had to do some research to find the best apps, and I’m pleased to share my experiences with the Shakespeare Teacher community.

Here, then, are my top ten recommendations for iPhone apps for kids, presented this time as a countdown:

10. Cookie Doodle ($0.99) – You can select the type of dough, roll it with a roller, choose your favorite cookie cutter, bake the cookie, and decorate it with a variety of icings and candies. In the end, you eat your cookie, of course. A similar app named More Pizza! allows you to prepare a different kind of treat.

9. MiniPiano (FREE) – This is just a single-octave piano keyboard, but probably better to allow the little one to explore this free app than on your expensive baby grand. There’s also a Drum Kit that has a free “lite” version.

8. TeachMe: Kindergarten ($0.99) – This is a great little drill-and-skill app for your youngster to practice word and number skills. Correct answers earn stickers which can be placed on provided backgrounds. There is also a version for toddlers.

7. Skee-Ball ($0.99) – Flick your finger to roll the ball up the ramp and score points in this digital version of the classic arcade game. It’s fun for kids who know the real thing. There is also an Arcade Hoops app to simulate the timed basketball shooting game.

6. SpongeBob Tickler ($1.99) – If your kids are into SpongeBob, they’ll love this opportunity to poke and prod him to hear his different catchphrases. They can also explore different underwater environments, and play some fun games they’ll find there. There’s also a Phineas and Ferb Arcade for kids who like the cartoon.

5. TappyTunes ($1.99) – Select from a variety of songs from diverse categories, such as Children’s, Classical, Devotional (contains religious imagery), Holiday, Patriotic, and Traditional. The notes are pre-programmed, but they’ll only play when you tap the screen, so timing is still in the hands of the user. I would have thought this better for the younger ones, but I spent more time playing with this app than I’m ready to admit.

4. Feed Me! (FREE) – This is a fun educational game where kids drag the correct answer to a hungry monster, who makes entertaining sounds when fed. Some of the questions require some critical thinking skills. I don’t know how long this will stay free.

3. iSteam ($0.99) – Don’t let the “Hot and Steamy Entertainment” part scare you; this app is as clean as your shower door. If you like wiping steam off of glass, this app is for you. You can even import your own photos… and then wipe steam off of them! The kids love this one.

2. Treat Street ($0.99) – Mix and match parts of Halloween costumes, and then hit the street! Pick a house, knock on the door (or ring the bell), and see what you get. Most treats are good, but every now and then a mean neighbor gives you a bug. Good treats go into the bag, where they can be sorted and moved around. The little one once spent over an hour solid on this one, laughing the whole time.

1. Scoops ($1.99) – This is a great kids game, but I’ve been having way too much fun with it myself. You have an ice cream cone, and have to tilt the device to catch scoops of ice cream as they fall. Avoid the onions and tomatoes, though, because if you catch three vegetables, you’re out. As you build your cone, you eventually slip the surly bonds of earth and can pass by the moon, Mars, Jupiter, etc., which is extra fun for planet-loving children.

Actually, my nephews’ favorite app is Monopoly, but I left it off the list because you probably already know what that is. They also enjoy the Game of Life. If there are any good board games or card games you already play with them, you might check to see if there’s an app. I also left off The Moron Test (which they love) because it was on last week’s list. I also gave them a few fun apps on the presidents. I left this off the list because I don’t know if your kids are into the presidents. But whatever they’re into, check out the App Store. There may be an app for that!

And as I was typing this list, it may have already become obsolete. The iPad, basically an iPod Touch with a larger screen, has been released. It looks pretty cool, but I doubt I will buy one. I have an iPhone and Macbook Air, so all of my mobile information needs have currently been met. But I have started to think of the device, starting at $499, as a low-cost computing option for schools. But if you’re planning to get an iPad for your family, all of the iPhone and iPod Touch apps will run on it, and the device is certain to spawn a new generation of app development. So the conversation continues…

It’s time once again to check in on what searches people have done to find themselves at Shakespeare Teacher, and to respond in the name of fun and public service. All of the following searches brought people to this site in the past week.

Probably not. Antony and Cleopatra did have three children, two boys and a girl. Cleopatra also had a child, Caesarion, from Julius Caesar. (“He plough’d her, and she cropp’d.” See how classy you sound when you quote Shakespeare?) Antony also had children from four of his wives.

After Octavius Caesar conquered Egypt (the events depicted in Shakespeare’s Antony & Cleopatra) he executed Caesarion, and gave the three children of Antony and Cleopatra to his sister Octavia. Remember (from the play) that Octavia was Antony’s last wife, so she’s now raising the children of her husband and his mistress. Little is known of the two boys, and if they had lived to adulthood, they would probably have been mentioned in sources of the time because of their parentage. It is possible they may have secretly been killed to avoid a later challenge to Octavius. But it’s also possible that they lived on and had children of their own. There’s no way to know.

The daughter of Antony and Cleopatra, named Cleopatra Selene, was married to an African king, and they had – at least – great grandchildren. Zenobia, a third century Syrian queen, claimed to be descended from this line. So it’s certainly possible that the descendants of Antony and Cleopatra are among us today. And if so, the opportunities to multiply between the 1st century and the 15th century would be massive. Therefore, we cannot rule out definitively that the Tudors are descended from Antony and Cleopatra. But could they know this for sure, let alone trace it? No. Those 1400 years weren’t exactly known for their record keeping, and there is too much motivation for people to invent a famous lineage along the way.

Margaret Tudor was Henry VIII’s older sister. She married James IV of Scotland in 1503, and a hundred years later, her great-grandson would become King of England (after Henry VIII’s line died out).

However, if you are asking about the character played by Gabrielle Anwar in The Tudors, you’re really looking for younger sister Mary Tudor. Another Mary would have probably been too confusing, so they conflated the two women into one character. Mary Tudor was the one who married an aging king only to be widowed three months later. Mary was the one who married Charles Brandon. I’ve only seen the first season of the show, so I don’t know what the character would later become, but in the first season, Margaret’s story is that of Mary Tudor.

Shakespeare had a lot of plots that centered around practical jokes. Often, they would blur the line between harmless prank and vicious revenge, but you can’t make an omelette without breaking a few eggs, am I right? Without any further ado, then, is my Top Ten list of Shakespearean pranks. Drum roll, please!

10. The Merry Wives of Windsor – I’m not a fan of this play, and I’m loathe to include it on the list of Top Ten anything. But a list of Shakespearean pranks would be incomplete without it, so here it is at #10. Suffice it to say, there are a number of pranks in this play. I’d list them, but I can’t be bothered.

9. Henry IV, Part Two – Hal and Poins disguise themselves as drawers and listen in on Falstaff’s bragging. They reveal themselves, but not before Falstaff has a chance to badmouth the Prince behind his back. The fun comes when Falstaff tries to talk his way out of it.

8. Measure for Measure – The “bed trick” and the “head trick” are serious deceptions and can hardly be considered a prank. But what about what I like to call the “fled trick”? The Duke pretends to leave Vienna, but instead stays back disguised as a friar. I guess the joke’s on Angelo. Busted!

7. Twelfth Night – Malvolio, imprisoned in darkness, recieves a visit from Sir Topas the curate. Actually, it’s Feste the jester disguising his voice. Playing both parts, Feste drives the supposed madman one step closer to real madness.

6. Much Ado about Nothing – Beatrice and Benedick’s merry war takes a surprising turn when their friends allow them to overhear conversations to make each believe the other is in love. The prank becomes self-fulfilling. “Some Cupid kills with arrows, some with traps.”

5. Henry IV, Part One – Hal and Poins pretend to go along with Falstaff’s plan to rob some travellers. But they enter in disguise after the fact and rob the robbers! They reveal their prank after Falstaff has been boasting about his encounter with the unknown thieves.

4. The Tempest – Prospero uses his magic to get revenge on those who have wronged him. But the havoc only lasts the afternoon and there’s no real damage done. The whole play is one big prank.

3. A Midsummer Night’s Dream – Puck changes Bottom into an ass. And Titania, having been spiked with a love potion by Oberon, falls in love with the creature. Hilarity ensues.

2. Twelfth Night – Maria forges a letter from Olivia to Malvolio, hinting that she is in love with him. Toby, Andrew, and Fabian spy on Malvolio as he reads the letter, which tells him to come to her in an outlandish manner… and he does.

1. Othello – Iago tricks Othello into believing that his wife has been unfaithful, so he kills her. Not really a prank, you say? Check out this video.

There are a lot of good monologues for men from King Lear. To start with, you can find monologues from Lear here, from Edmund here, and Edgar here. The female characters in the play have some great speeches, but nothing I would particularly pull out as a monologue.

You may be looking for Shakespeare: The Animated Tales, a series of half-hour condensed animated versions of Shakespeare plays. But I’ve also done a lot of work with students creating animated versions of Macbeth, As You Like It, and The Tempest. And since this is Shakespeare Teacher, I’ll offer some information about how to do it.

When I did these animation projects, the students did the artwork in HyperStudio, they recorded the sound in SoundEffects, and they aligned the two in iMovie. It was frame-by-frame, which is time consuming, but HyperStudio had a card-and-stack interface that made it go much more quickly. That was quite a few years ago, though, and I do mostly video projects now. I don’t know if HyperStudio is even still around, and people use Audacity for sound recordings today. iMovie is still the best game in town if you want to coordinate frame animation.

I know a lot of people who like to use the website Scratch for student animations. The one problem with Scratch is that you can only view the animations from the Scratch website. You cannot download the movie file and post it to YouTube.

I’ve heard, particularly from Shakespeare teachers, a lot of enthusiasm surrounding Kar2ouche. I looked at it once, a long time ago, and I dismissed it because there are a lot of pre-made templates, and I wanted my students to visually interpret the characters themselves. But time being a factor, I would probably recommend it, and I’ve seen some Shakespeare projects that look really sharp. Every so often, someone asks me if I’ve heard of Kar2ouche.

Of course, if your kids are into Second Life, there has been some animated Shakespeare coming from that quarter as well. There is also stop motion photography, which can be done with a digital camera, iMovie, and a lot of patience.

I can interpret this in four ways:

1. Was Queen Elizabeth the illegitimate child of Shakespeare?
2. Was Queen Elizabeth’s illegitimate child Shakespeare?
3. Did Queen Elizabeth’s illegitimate child actually write the plays of Shakespeare?
4. Was Queen Elizabeth an illegitimate child according to Shakespeare?

Elizabeth was older than Shakespeare, so #1 is a clear No. I don’t know of any illegitimate children of Elizabeth. This seems to me to be something easier for a king to pull off than a queen. If she had gone through a pregnancy, I doubt she’d have kept the nickname “the Virgin Queen” for very long. So we can answer a No for #2 and #3 as well.

As for whether Elizabeth herself was illegitimate, that’s a fair question. It all depends on how legitimate you consider the annulment of Henry VIII and his first wife. But Shakespeare certainly wouldn’t have painted her as illegitimate. When she was alive, he wrote plays that glorified her ancestors, and long after she died, his play Henry VIII treated her birth as a moment of great hope for the future of England.

So I’m not sure what you’re asking, but the answer is probably No.

I leave the task of responding to the remaining search terms to my readers:

It’s time once again to check in on what searches people have done to find themselves at Shakespeare Teacher, and to respond in the name of fun and public service. All of the following searches brought people to this site in the past week.

That’s a good question. For the past five years, I’ve been using “Mosh” by Eminem. It was great for teaching repetition, rhyme, rhythm, alliteration, antithesis, allusion, and emendation (where I edited out the profanity). Useful as it is, though, it’s starting to get a little old, so I’d appreciate any good suggestions. Are there any popular hip hop songs today that use a lot of poetic devices that might be good for teaching Shakespeare?

Well, the Tudors were English, but it’s important to remember that they reigned from 1485 to 1603, a time of extraordinary changes in publishing, literacy, and what would be considered “the English language.” This was the time of the Great Vowel Shift, as Middle English transitioned into Early Modern English, and the Middle Ages gave way to the Renaissance.

Probably the most famous work written by a Tudor monarch would be the Defense of the Seven Sacraments, which Henry VIII wrote in Latin, a very common written language at the time. However, his personal letters are in English.

Bloody Mary refers to Queen Mary I, another Tudor monarch who reigned from 1553-1558. She was daughter to Henry VIII (by Catherine of Aragon) and older sister to Elizabeth I. She died before Shakespeare was born, and does not appear in any of his plays, not even the one that bears her father’s name.

The phrase “ghost the fine worth” is an anagram of “Twelfth Night, or Shoe” if you add an extra “L” into the mix. But “Shoe” is not the subtitle of that play, and the extra “L” is cheating, so that’s probably not it. If you do allow substitutions, you can swap “S” for “KNURY” and make “King Henry the Fourth, Two.” The closest I can come is to remove an “O” from the original phrase and replace it with “AEM.” What play title could you anagram then?

UPDATE: Play title discovered by Dharam. See comments for answer.

It’s hard to really put a play at a particular grade level. I prefer to teach the play I want to teach, and plan instruction to fit the students I’m teaching. I’ve only taught As You Like It twice, once to 7th graders and once to graduate students. The lighthearted tone of the play and the fun situations that it depicts make this a fun choice for even the youngest students studying Shakespeare. So if you’re wondering if As You Like It would be a good play for your students, it probably is!

The historical Macbeth died in 1057, so the event you’re looking for is most likely the Battle of Hastings in 1066. This completed the Norman invasion, and basically defined what we think of England even today. William the Conqueror became King William I of England, and every English monarch since – whether King John or Richard III or Henry VIII or George III or Victoria or Elizabeth II – has been a direct descendant of his. That is one impressive legacy.

I leave the task of responding to the remaining search terms to my readers:

The recent discussion about teaching information literacy skills on this post got me thinking about how our students would evaluate different sources of information. I’d like to do a version of this exercise, but with our students in mind.

I will list ten sources that a high school student might encounter, and I’d like you to consider their relative reliability on the topic of, let’s say, the American civil rights movement. That is, if a high school student received conflicting information from two of these sources, which source should be given the greater weight?

A. A 2010 high-school American history textbook.

B. A book on the American civil rights movement from the public library, published in 1991.

C. A high-school commencement speech, given by a well-known community activist.

D. A high-school English teacher who has been teaching American literature for twenty years.

E. A high-school social studies teacher who has been teaching American history for six years.

F. A television interview with a university history professor, who specializes in European history from 1700 to the present.

G. A website on American history maintained by a college junior majoring in American history, with a professional-looking design, well-organized information, and a straightforward writing style.

H. A website on American history maintained by a graduate student majoring in American history, with little in the way of graphic design or organization, but with well-written and insightful text.

I. A website on civil rights maintained by a well-known citizen activist organization.

J. A Wikipedia entry with no controversy alerts.

Once again, I have lettered them instead of numbering them because you may wish to rank some or all of these ten sources in order from most reliable to least reliable.

And I do realize that it may not even be possible to definitively rank these sources (especially since my sources are much vaguer than they were last time), but the exercise might help structure your thinking about what reliability means to a teenager, who may not always be encouraged to question what has been presented as authority. Whether you post your rankings or not, your contribution to the discussion is welcome.

And I’ll get the ball rolling by saying that I think Wikipedia gets a bad rap. Yes, you can certainly list incorrect information that has been found on the website, either through honest mistakes or the deliberate promoting of an agenda. But can you show me which of the other nine items on the list above doesn’t suffer from the same problem? With that said…

Where can high school students find reliable information?

I subscribe to a service called “SiteMeter” which allows me to see a limited amount of information about my visitors. One thing that I can see is if someone finds my site via a Google search, and what they were searching for.

Every now and then I check in on what searches people have done to find themselves at Shakespeare Teacher, and to respond to those search terms in the name of fun and public service. All of the following searches brought readers to this site in the past week.

Enjoy!

Queen Katherine in Shakespeare’s Henry VIII is Catherine of Aragon. You can find good monologue material here and here.

You really have to consider Paulo Friere as Augusto Boal’s number one influence. Boal’s works also contain significant references to Marx, Hegel, Aristotle, Brecht, and Shakespeare. He was, of course, also greatly influenced by all of the many people with whom he interacted during his lifetime.

I love the idea of having students write obituaries for Shakespeare’s characters. They could also write classified ads, advice column requests, and news stories. I’ve recently read blog posts where characters from Shakespeare have written Letters to Santa and New Year’s Resolutions, and these seem like good writing assignments for students as well.

Because he kills everyone who might possibly get in his way. But is he ultimately successful? See below.

Nothing. He’s dead.

Even if he weren’t, life would be bleak. His wife would be gone, and he’d be out of power. And as a former tyrant, he’d be made a laughing stock among the people. His decision to attack Macduff after all of the prophecies have come true may seem reckless to us, but he may not feel that he has a choice.

People looking for hidden “I wrote this” messages in Shakespeare are generally looking to prove that the plays were written by someone else. Shakespeare would have had little reason to hide such a message. But take a look at this page from a late Hamlet quarto, and see if you can find Shakespeare’s authorship message (hint: look at the writing below “Hamlet, Prince of Denmark”).

None of the three seasons of Slings & Arrows centered around The Tempest, but the very first scene of the series does. Geoffrey is directing this very play before the events that will bring him back to the New Burbage. I often tell people who may be interested in the show to watch this scene and the opening credits, and if they’re not hooked by then, there is no need to go on.

With this age group, I recommend doing activities to introduce the plot, characters, and themes of the play before they read the actual text. Start here, and if you like what you read, check out my doctoral dissertation, which was on this exact topic. You should also check out the Cambridge School Shakespeare Macbeth, which has a lot of great activities that can be adapted to this age group, and the Shakespeare Set Free book that includes Macbeth for even more great ideas.

Probably the most significant war Shakespeare lived through was the undeclared Anglo-Spanish War. In the late 16th century, Spanish King Phillip II was gathering an international coalition of Catholic forces to launch an invasion of England and overthrow Queen Elizabeth I. The Spanish Armada was famously defeated by the English navy in 1588. This victory launched a new wave of patriotic fervor among the English, and a popular trend of writing plays about English kings just as Shakespeare was beginning his career as a playwright.

No. Tudor was the surname of the English royal family from 1485 to 1603. The man we refer to as King Henry VIII was born Henry Tudor, Queen Elizabeth I was Elizabeth Tudor, etc. Margaret Tudor, sister of Henry VIII, married James Stuart (King James IV of Scotland) and their offspring continued the Stuart line in Scotland. Eventually, the Stuarts (in the person of James VI of Scotland) ascended to the English throne as well. When we speak of the Tudors and the Stuarts, then, we are not referring to titles, but to actual family names.

So, Shakespeare wasn’t a Tudor; he was a Shakespeare. But he was born and raised under Tudor rule. He lived the rest of his life under Stuart rule.

I was taken aback by this one.

In this post, I discussed how ancient Greek playwrights would often show characters torn between their solemn duties to their oikos (family) and their polis (state), and how this is also a recurring theme in the television series 24. I also discussed how both 24 and ancient Greek tragedy share a unity of place, and used Antony and Cleopatra as a counter-example to demonstrate that Shakespeare did not have to conform to this unity.

What, then, was this search looking for? I don’t really think that oikos vs. polis is a theme in Antony and Cleopatra. It seems to me that the interests of family and state are aligned, and what the title characters are really balancing are those interests vs. their own passions.

The technical term for a king with no Y chromosomes is a “queen.” Notable queens of England have included a couple of Elizabeths, a couple of Marys, an Anne, and a Victoria (plus others, depending on what you want to count).

Almost by definition, a man has an X chromosome and a Y chromosome, and a woman has two X chromosomes. I say almost, because it is possible for there to be variations, but I am not familiar with any kings of England with such a condition.

I leave the task of responding to the remaining search terms to my readers: