Based on the overwhelming response to yesterday’s post listing my top five and twenty favorite scenes from Shakespeare, I’ve decided to post my next five and twenty favorite scenes from Shakespeare. The standard disclaimers apply.

50. Antony and Cleopatra: Act 5, Scene 2
The captured Cleopatra has been placed on suicide watch. But she has a poisonous asp smuggled in, and delivers the fatal wound to her bosom. “Does thou not see the baby at my breast,/That sucks the nurse asleep?”

49. Macbeth: Act 5, Scene 5
In the heat of battle preparations, Macbeth receives news that his wife has died. He allows himself a reflective moment where he ponders the meaninglessness of brief life. And for that moment, we remember that this monster was once a human being with the capacity for reason and love.

48. Richard the Third: Act 3, Scene 7
In the final stages of his plan to seize the crown, Richard orchestrates a show where his friends and lackeys beg him to be king, and he says no. Finally, he relents. “I am not made of stone”

47. Henry the Fourth, Part Two: Act 5, Scene 5
Now that his buddy Prince Hal has become King Henry the Fifth, Falstaff thinks that he’s going to play a very important role in the new administration. Falstaff has another think coming.

46. As You Like It: Act 3, Scene 2
This is a somewhat varied scene, and a lot of fun things happen in it, but the main point is that, having discovered that Orlando is writing love poems to her and hanging them on trees in the forest, Rosalind decides to allow him to believe she is a boy, and offers to cure him of his love by pretending to be his love.

45. Henry the Sixth, Part One: Act 2, Scene 4
In the Temple garden, partisans of the King and of Richard Plantagenet pluck red and white roses respectively to show their support. Could this lead to war? And what might we call such a war?

44. Macbeth: Act 1, Scene 3
Returning from battle, Banquo and Macbeth are greeted by three witches who predict that Macbeth will become Thane of Cawdor and then King. Then, messengers from the King arrive and tell Macbeth he has just been named Thane of Cawdor. Things that make you go hmmm…

43. Hamlet: Act 3, Scene 2
Unsure whether or not to trust the ghost’s word, Hamlet stages a play mirroring the circumstances of his father’s death, so he can watch his uncle’s reaction. Does the plan work? Big time. And Hamlet’s famous advice to the players is in this scene, too.

42. Henry the Sixth, Part One: Act 4, Scene 5
The great Lord Talbot fears that his forces will be defeated in tomorrow’s battle. So he sends for his son, young John Talbot, and tells him to flee before the battle. John refuses, and they debate in rhymed couplets. It’s not a long scene – go read it.

41. King Lear: Act 1, Scene 4
The banished Kent returns in disguise and offers to serve Lear. We meet the Fool, whose jests reveal both a fondness for Lear and a bitter disapproval of his actions. Lear’s curse on Goneril at the end makes the scene extraordinary.

40. Henry the Fifth: Act 2, Scene 2
Henry has discovered three traitors among his officers. Before revealing this, he asks them what the penalty should be for traitors. His own oratory in this scene is powerful.

39. Julius Caesar: Act 4, Scene 3
Brutus and Cassius, having murdered Caesar, now lead an army against his partisans. In this scene, the growing tensions between them explode, and lead to an unexpected outcome.

38. Henry the Fourth, Part Two: Act 4, Scene 5
Prince Hal finds his father asleep, assumes he’s dead, and helps himself to the crown. When Hal returns, Dad’s awake, and the two of them have at it. And at the end of the scene, the prophecy he’s been talking about since like two plays ago is fulfilled.

37. Othello: Act 4, Scene 3
A quiet scene between Emilia and Desdemona before all hell breaks loose. This is a study in contrast between the innocent naif Desdemona and the world-wise Emelia.

36. Macbeth: Act 5, Scene 1
Lady Macbeth has been a rock through all of the killing and deception that put her husband on the throne. But now she’s sleepwalking, and everything comes out. Except for that spot of blood.

35. King John: Act 4, Scene 1
King John has sent Hubert to murder the young Arthur to eliminate his challenge to the throne. But the boy talks Hubert out of it. Shakespeare wrote this play after losing his own young son to the plague.

34. Romeo and Juliet: Act 2, Scene 2
Well, what can I say? It’s the balcony scene.

33. Much Ado About Nothing: Act 4, Scene 1
Hero is disgraced by Claudio at their wedding and her cousin Beatrice is beside herself. Claudio’s friend Benedick stays to comfort her. And amid this emotional turmoil, they confess their feelings for each other. He tells her he’ll do anything for her. Her response: “Kill Claudio.”

32. Hamlet: Act 5, Scene 2
Talk about a big finish. This scene is so imprinted on our collective psyche that it almost turns invisible when making a list like this. Almost.

31. Julius Caesar: Act 3, Scene 1
I really like the pacing of the lines just before the assassination. After the deed, the killers are so sure of history’s favorable judgment. And finally comes Antony’s stirring monologue. But my favorite part of this scene is the first two lines.

30. The Taming of the Shrew: Act 2, Scene 1
The first meeting between Petruchio and Kate. Need I say more?

29. King Lear: Act 4, Scene 7
Lear is rescued by and reunited with the daughter he banished. His mind is nearly gone by now, but as he begins to recognize her, he is deeply ashamed of his earlier behavior.

28. Macbeth: Act 3, Scene 4
King Macbeth sees the murdered Banquo at a banquet, but nobody else can see him. Is this the ghost of Banquo come to haunt him, or another hallucination brought on by guilt?

27. Twelfth Night: Act 1, Scene 5
Here we see the first meeting between Olivia and the disguised Viola. At first, Olivia toys with the youth, but then realizes that there’s more to this young “man” than meets the eye.

26. Richard the Second: Act 4, Scene 1
Richard’s reluctant abdication paints a portrait of a man who never asked to be king, but can’t quite give it up. It’s a moment in English history that sparked enough strife for no less than eight Shakespearean histories.

The Top Five and Twenty

As long as we’re making lists, how about our top five scenes? I made my list (see below), feel free to play along in the comments, or on your own blog, or both. As before, this list is based on my own personal preferences at this particular moment. I’ll be using the scene divisions from Bartleby.com.

And, as before, my top five list has twenty-five entries. Enjoy!

25. A Midsummer Night’s Dream: Act 5, Scene 1
I had to include the Pyramus & Thisby performance at the end of Midsummer. The happy ending to the real story has already come, and now we can just relax and enjoy the show.

24. Hamlet: Act 3, Scene 4
The effect of Hamlet’s berating his mother in her bedchamber, and raising the tension until it is released by his killing Polonius, is devastating on stage. When the ghost arrives, we must listen.

23. King John: Act 1, Scene 1
Robert Faulconbridge claims that his brother Philip is a bastard, not entitled to his father’s lands. King John and his mother recognize the madcap Philip as natural son to the late King Richard, and welcome him into the royal family.

22. Richard the Third: Act 1, Scene 2
Richard has killed Anne’s husband and his father. He woos her and wins her hand, reveling in overcoming impossible odds. There is some really elegant use of language in this scene.

21. The Comedy of Errors: Act 3, Scene 1
This scene cracks me up. Antipholus of Ephesus is locked out of his house, because his wife thinks he’s inside. Actually, it’s his long lost twin brother. The rolling verse makes the scene.

20. Twelfth Night: Act 2, Scene 4
Viola is in love with Orsino, but he thinks she’s a boy. She tells him of her love using a supposed sister. Orsino is in love too, and both of their passions are stirred by a song. This scene “gives a very echo to the seat where love is throned.”

19. Measure for Measure: Act 2, Scene 4
Angelo has sentenced Isabella’s brother to death, but he offers to release him in exchange for sex. She tells him to stick it. But now she’s in a bind. In the hands of talented actors, this scene kills.

18. Henry the Sixth, Part Three: Act 1, Scene 4
The Duke of York has made a claim to the throne, but now is captured by Queen Margaret who taunts him with a paper crown and a napkin dipped in the blood of his dead son. He curses her, and she has him killed. “Off with his head!”

17. As You Like It: Act 5, Scene 4
Rosalind and Celia reveal their true identities to their astonished lovers. And if four weddings and some songs aren’t enough of a happy ending, the banished Duke is restored. I couldn’t resist including it.

16. King Lear: Act 1, Scene 1
This scene could be a play unto itself. Cordelia refuses to participate in flattering her father for his land and is banished. But then she weds the King of France and lives happily ever … no, wait.

15. Othello: Act 3, Scene 3
Through subtle innuendo and hints of suspicion, Iago brings Othello from being completely free of suspicion toward Desdemona, to a jealous rage against her.

14. Measure for Measure: Act 5, Scene 1
Shakespeare spent the whole play setting up the dominoes and lets them fall in this final scene. Isabella has a big choice to make, and she takes the high road. But what about her final choice? Shakespeare doesn’t say.

13. Macbeth: Act 5, Scene 7
The prophecies have all come true, but Macbeth isn’t ready to give up the crown yet, let alone the ghost. In defiance of law, of country, of nature, and of fate itself, he fights. And he dies.

12. Hamlet: Act 5, Scene 1
Hamlet jokes and reflects on death with a gravedigger and Horatio before learning the grave is to be Ophelia’s. And the gravedigger started working the day Hamlet was born. Think about that for a moment.

11. Macbeth: Act 1, Scene 7
Lady Macbeth goads Macbeth into regicide by attacking his manhood and questioning his love. He’s against killing the king on moral grounds, until she presents a plan with a good chance of working, and then he’s in.

10. Henry the Fourth, Part One: Act 2, Scene 4
A fun tavern scene with Jack Falstaff telling tall tales, and a role-playing exercise that turns sour.

9. King Lear: Act 5, Scene 3
The sisters undo themselves. Edgar defeats his treacherous brother Edmund. And then Lear dies with Cordelia in his arms. Good has triumphed over evil, but what spoils are left for the victor?

8. Richard the Third: Act 5, Scene 3
The ghosts of all Richard’s victims disturb his rest the night before the decisive battle. In the morning, he and Richmond deliver orations to their troops, contrasting their different leadership styles.

7. Hamlet: Act 3, Scene 1
The “To be, or not to be” soliloquy is great, but the scene with Ophelia that follows is what makes the list. Love has turned to resentment and bitter mistrust. He must continue to play mad, but his actual sanity is now at risk.

6. Julius Caesar: Act 3, Scene 2
At Caesar’s funeral, Antony, who has promised not to speak ill of the conspirators, delivers an oration that turns the crowd against them. It’s a testament to the power of good rhetoric, and the power of love and loyalty.

5. Othello: Act 5, Scene 2
Othello murders Desdemona and then discovers the truth of the plot against him. Othello’s passionate speeches of angst and remorse are contrasted with Iago’s dispassionate demanor after being caught.

4. A Midsummer Night’s Dream: Act 3, Scene 2
The four lovers, giddy with love’s madness, quarrel to the shock and amusement of the fairies. After going to much trouble to set it up, Shakespeare doesn’t let us down. This is just pure fun.

3. Macbeth: Act 4, Scene 1
Obsessed with succession, Macbeth demands answers from the witches, who tell him much more than he really wants to know. The witches’ brew part alone is for the ages. “Double, double, toil and trouble…”

2. King Lear: Act 4, Scene 6
The mad Lear meets the blind Gloucester. Lear’s speech is filled with sense, and yet is nonsense. Gloucester, who has by now realized he was blind when he had eyes, now says he sees the world feelingly. Also notable is Edgar pretending to lead his blind father to the edge of a cliff. Heartbreaking.

1. Richard the Third: Act 4, Scene 4
By the fourth scene of the fourth act of the fourth play in the series, most of the bad stuff that was going to happen has already happened. The widows gather and compare their losses. Then Richard, the cause of their misery, enters. He recieves a blistering rebuke from his own mother. He is then left on stage with his sister-in-law, whose two sons he has murdered. And he asks her for the hand of her daughter, his niece, in marriage. Now that’s chutzpah!

The Shakespeare Geek has posted his top five favorite Shakespeare plays, based on another blogger’s post listing his top five favorite Shakespeare plays.

Man, how can you do that? I tried it myself, but the list got a little out of hand. My top five list turns out to have twenty-five plays in it. Bear with me. Here they are, in the ascending order of my preference today. If I made the same list tomorrow, it might be different.

25. The Tempest – Critics deny this is Shakespeare’s farewell to the theatre, but read it and decide for yourself. Prospero, Ariel, Caliban, and Miranda are unique in Shakespeare, strange for so late a play.

24. Much Ado About Nothing – There is a lot in this play to recommend, but Beatrice and Benedick are the most fun. I’m also a fan of Dogberry the Constable and, in his own way, Don John.

23. The Winter’s Tale – I like this play… not as much as other people may like it, but I like it well enough. There are some great speeches in the play, and more than a few moments that kill on stage.

22. Henry the Sixth, Part Three – The paper crown scene alone should bring this play some recognition. I also enjoy the early character development of Richard Gloucester, the future King Richard III.

21. Henry the Fourth, Part Two – Vibrant tavern scenes, darkly comic scenes, frenetic battle scenes, and one intense standoff between King Henry and his son Hal. Don’t miss the last five minutes.

20. The Comedy of Errors – This play can be a lot of fun if you accept it on its own terms. The scene where Antipholus of Ephesus is locked out of his house is reason enough to make the list.

19. Cymbeline – This is a hidden treasure, filled with great scenes and powerful moments. It has a beautiful fairy-tale quality, strong characters, passionate poetry, and a satisfying ending. More here.

18. The Taming of the Shrew – The first scene between Kate and Petruchio is an all-time classic, and the piece as a whole is a wonderful bit of inspired silliness. The taming can be a bit jarring, though.

17. Romeo and Juliet – I think it would be hard for anyone to make a Top Five and Twenty list of favorite Shakespeare plays and not include Romeo & Juliet. The poetic language is beautiful.

16. Twelfth Night – There’s a lot going on in this play, and it all works on stage. Don’t let the slapstick elements fool you into thinking this is an unsophisticated play. It isn’t.

15. The Merchant of Venice – This is another play with a rich complexity that seems to burst out of its fairy-tale frame, which is what allows the darker elements of the play finally to surface.

14. Henry the Fourth, Part One – Who could resist the irrepressible Falstaff, and his relationship with the young Prince Hal? This play has my favorite tavern scene, and lets not forget Hotspur either.

13. King John – Shakespeare wrote this play just after the death of his eleven-year-old son, and the influence of that event on this play is breathtaking. Also, the Bastard is a character well worth knowing.

12. Richard the Second – For God’s sake, let us sit upon the ground and talk about the richly complex symbolism and beautiful flowing poetry in this play. Go and fetch me a looking glass.

11. Antony and Cleopatra – It’s a love story. It’s a war epic. It’s a geopolitical thriller. It’s the greatest story in history told by history’s greatest storyteller. This is not your high school Romeo and Juliet.

10. Henry the Fifth – This is a tight, passionate, stirring play. It’s also a Rorschach test for how you feel about war. Each scene is a mini-masterpiece, and the use of language is extraordinary.

9. Julius Caesar – This powerful tale of politics, rhetoric, and betrayal in Ancient Rome may be a schoolhouse classic, but it’s a better read as an adult. I find myself coming back again and again.

8. Measure for Measure – Darker and more overtly sexual than most of Shakespeare’s other comedies, this play explores both the depths of depravity and the better angels of human nature.

7. As You Like It – This Shakespearean fairy tale is filled with laughs, love, and music. Shakespeare knew what audiences liked, and he gave it to them in this aptly named comedy.

6. A Midsummer Night’s Dream – One can only imagine what the effect must have been of having fairies and nobles and workmen wrapped up in the same story on stage. One for the ages.

5. Othello – This is a true masterpiece: in characterization, plot structure, emotion, pacing, poetic language, potency, and thematic cohesion. This is how to write a play, my friends.

4. Macbeth – I’ve always found this play extremely riveting from beginning to end. The witches prophesy Macbeth will be King, setting a chain of events irrevocably in motion. Spellbinding.

3. Hamlet – Never before or since has there been such an intimately detailed character study. Was he mad? My father once said, “if you took that close a look at any of our minds, we’d all seem mad.”

2. King Lear – I make new discoveries every time I read this play, and not just discoveries about the play. This may be the greatest thing ever written in the English language. I may never fully grasp it.

1. Richard the Third – My personal favorite, and a guilty pleasure at that. Somehow, Shakespeare makes us root for the bad guy. Is there a secret evil genius within us that he speaks to? I’ll never admit to it.

So those are my top five favorite Shakespeare plays. Feel free to post your top five favorite Shakespeare plays in the comments, however many there may happen to be.

Just a reminder that The Tudors premiers tonight on Showtime. You can also view the episode On Demand, or for free online.

Use the comments section of this post to discuss the episode. Any comments I may have will be posted in the comments section as well.

This is the first of a ten-part series. If I like the show, and others want to talk about it as well, this may become a weekly feature here on the blog, like the Slings & Arrows thread that just came to an end along with the series. Let me know what you think.

WARNING: Comments may contain further discussion of the show, including potential spoilers. Click through only after viewing the episode. Commenters may discuss this episode as freely as they like, but are asked not to spoil future episodes they may have seen online or elsewhere.

By the way, did you know that the beginning of the Tudor dynasty is marked at the end of Shakespeare’s Richard III, when the Earl of Richmond (a Lancaster) marries the Princess Elizabeth (a York), uniting the two houses, ending the War of the Roses, and becoming King Henry VII? That’s hot.

While I was away, the Shakespeare Geek has been blogging up a storm. He always manages to find such great nuggets of Shakespearia in the digital forest. A few notable items that either I got from him, or he beat me to:

• There’s a new Showtime series on The Tudors with the first two episodes posted online. If this looks like it’s going to be any good, perhaps we will discuss it here, replacing the soon-to-be-retired Slings & Arrows thread each Sunday. What do you think?
• A map of almost all the places quoted in Shakespeare available in both Google Maps and Google Earth versions. This has some nice classroom applications, particularly in teaching history. Compare, for example, the relative locations of Pericles and Antony and Cleopatra around the eastern Mediterranean. Pericles takes place in the Hellenistic period, which came to an end with the events of Antony and Cleopatra, so comparing their relative locations can be useful. You know, for those times when you’re studying Pericles and Antony and Cleopatra. It was just an example.
• A somewhat new Shakespeare wiki. This looks like it’s going to be able to go much more in depth into Shakespeare than Wikipedia allows. I have to use the future tense, because right now it looks like the giant hole in the ground that is dug before a majestic building is erected. Can’t wait to see the view.
• Hamlet on trial for the murder of Polonius, presided over by a Supreme Court Justice, as part of the six month Shakespeare in Washington festival. I was in DC on Thursday, but missed the trial in favor of Richard III at the Shakespeare Theatre Company. But it caught my eye because my grad students have been talking about using the trial as a classroom activity. We’ve discussed the activity in connection with Hamlet, Julius Caesar, Macbeth, Othello, The Merchant of Venice, King Lear, and Measure for Measure.

There’s more stuff over there if you want to check it out. I like to link to him every now and then because I know there are some who come to this site looking for lots of cool Shakespeare stuff, and instead find postings about Venn diagrams, killer robots, and Charlie the Unicorn. His is the site you were looking for. But do come back tomorrow for the Thursday Morning Riddle.

The fifth episode of Season Three of Slings & Arrows airs on Sundance tonight at 8pm. It will also be repeated throughout the week.

Use the comments section of this post to discuss the episode. Any comments I may have will be posted in the comments section as well.

You can view the archives to discuss past episodes and seasons. A discussion thread for the final episode of Season 3 will be posted next week, when it airs on Sundance.

WARNING: Comments may contain further discussion of the show, including potential spoilers. Click through only after viewing the episode. Commenters may discuss this episode as freely as they like, though Canadian readers are asked not to post spoilers for any later episodes.

By the way, did you know that I just saw Geraint Wyn Davies (Henry Breedlove from Season Two) play Richard III this past Thursday? That’s hot.

SuchShakespeareStuff is now Shakespeare Geek. I was checking out the links over there when I came across a post by someone named Cesario listing her ten unpopular opinions about Shakespeare. I don’t agree with everything she says, but I applaud people who are willing to post unpopular opinions, and I’d like to add my twopence to the conversation.

1. This stuff about Shakespeare being [someone else] is arrant nonsense.

Strongly agree. There’s no good evidence that this is true, and most of the arguments you hear are either elitist or overly-ambitious.

2. Twelfth Night is at its root a deeply creepy and disturbing play

Mildly agree. The play does have a dark side, to be sure. The Andrew subplot is creepy, the Malvolio subplot is disturbing, and did I hear Orsino correctly in the last scene? He’s actually going to kill Cesario to spite Olivia?

3. Shylock is not the hero of Merchant of Venice. He is the villain.

Strongly agree. If you’ve read the play, it’s hard to make the case otherwise.

4. The Macbeths have the best marriage in all Shakespeare.

Mildly disagree. I’ve heard Harold Bloom express this opinion, and I get the equal partnership aspect, but I find their relationship too dysfunctional and codependent to pay them this compliment. The title “Best Marriage in Shakespeare” is a dubious honor, but I think I’d have to go with Brutus and Portia. They seem like they have a really strong relationship. The fact that it can be torn apart by the assassination is a testament to the earth-shattering significance of that event. We won’t count the marriages at the end of the comedies, because who knows how they’ll fare?

5. Lear’s Fool is a subjective reality experienced only by Lear himself.

Mildly disagree, though I like your spirit. Both Goneril and Kent talk directly to the Fool, and others talk about him (such as the Gentleman that Kent meets in the storm). I do think there’s an alter ego reading possible here, but perhaps this is more of a symbolic idea than something that’s literally demonstrable in the play.

6. Hamlet: not really a play.

Strongly disagree. Hamlet is a play. It has searingly powerful dramatic dialogue, a story arc, and character development. There are some stage plays that I would say are not really plays, but Hamlet is a play through and through.

7. I Henry VI is a better play than Richard III.

Strongly disagree, though I think I Henry VI is highly underrated. I also think that Richard III is a much better play after you’ve read the three Henry VI plays. The characters in Richard III have a lot of history, and understanding that history helps explain a lot of their interactions.

8. Claudio and Hero = so doomed.

Strongly disagree. This is the stereotypical couple of Shakespeare’s day. These are the people who wed unthinkingly and play their roles, living happily ever after because they never consider that they may not. They are used by Shakespeare to contrast the much more interesting Beatrice and Benedick who question everything about love.

9. I think Shakespeare was probably Catholic.

No opinion, though there is some reason to believe he may have been. I’m hesitant to make any generalizations about Shakespeare based on his writings, because he was so good at speaking from so many different points of view that it’s impossible to know what’s really Shakespeare himself. Shakespeare may very well have been a soldier, a king, a murderer, a nobleman, a shrew, a fairy, a Moor, an ancient Egyptian queen, or a boatswain. He’s much too clever for me to guess.

10. Titus Andronicus is a farce and would be best played as a Monty Python skit.

Mildly agree. I don’t think the farce is intentional, but playing it as a Monty Python skit would be an improvement.

Conundrum won’t always be a picnic (what is?), but I’m having fun, so lets do one more.

This week, I’m having a picnic for characters from Shakespeare. But only certain characters can be invited, based on a particular rule:

• I’m inviting JULIET, but not ROMEO.
• I’m inviting ANGELO, but not BASSANIO.
• I’m inviting VINCENTIO, but not LUCENTIO.
• I’m inviting ESCALUS, but not MERCUTIO.
• I’m inviting CLAUDIO, but not DON JOHN.
• I’m inviting ISABELLA, but not RICHARD II.
• I’m inviting FRIAR PETER, but not FRIAR LAURENCE.
• I’m inviting both POMPEY and VARRIUS, but neither OCTAVIUS nor AGRIPPA.

Have you figured out the rule? If so, please don’t post it. Just post one addition to the guest list to show us you got it, and to give an extra hint to later solvers. This time, it is not necessary to include the name of a character who is not invited, but you may do so if you choose.

UPDATE: The solution is now posted in the comments.

I had so much fun at last week’s picnic, I thought I’d have another. But this time I’m using a different rule when deciding whom to invite. You may find this one a bit more challenging than last week’s rule, but all of the invited guests do have something in common:

• I’m inviting MARY SHELLEY, but not PERCY BYSSHE SHELLEY.
• I’m inviting GEORGE BERNARD SHAW, but not OSCAR WILDE.
• I’m inviting QUEEN ELIZABETH II, but not QUEEN ELIZABETH I.
• I’m inviting MARTIN LUTHER KING, JR., but not MALCOLM X.
• I’m inviting TOM CRUISE, but not DUSTIN HOFFMAN.
• I’m inviting MADONNA, but not JEWEL.
• I’m inviting COURTENEY COX ARQUETTE, but not JENNIFER ANISTON.
• I’m inviting BARACK OBAMA, but not HILLARY CLINTON.
• I’m inviting GEORGE W. BUSH & DICK CHENEY as well as BILL CLINTON & AL GORE, but not RONALD REAGAN & GEORGE H.W. BUSH.

I thought it might be fun to do some Shakespeare readings at the picnic, but only plays named for people who fit the same rule:

• We will be reading JULIUS CAESAR, but not MACBETH.
• We will be reading ANTONY & CLEOPATRA, but not KING JOHN.
• We will be reading KING HENRY VIII, but neither KING HENRY IV play.
• We will be reading KING RICHARD III, but not KING RICHARD II.

Have you figured out the rule? If so, please don’t post it. Just post one or two additions to the list to show us you got it, and to give an extra hint to later solvers.

UPDATE: The solution is now posted in the comments.

The Bard-a-thon rages on. Last night, I joined them by phone for their readings of As You Like It and The Merry Wives of Windsor. Right now, we’re doing Richard III. I’m having a grand time.

The Bard-a-thon runs their readings a little differently than I run mine. They assign roles as they go, scene-by-scene. They don’t necessarily keep the same reader on the same character from scene to scene.

I divide up all of the characters into parts before the reading, and then those parts are chosen randomly by the readers. The readers can trade parts before the reading, but once the reading starts, the readers read the same characters for the length of the play.

Of course, my readings are planned in advance and people come expressively to read a particular play. It sounds like the Bard-a-thon is an open house, with people coming in and out, and even people like me calling in. I guess it makes more sense for them to do it the way they are, since it keeps them flexible.

Anyway, I love what they’re doing and I love them for doing it. Maybe this will start a national trend. There are 50 states, and 52 weeks in the year. You do the math.