I’ve decided to celebrate the end of 2008 here at Shakespeare Teacher by selecting my favorite post from each of the last twelve months.

Enjoy!

January: Question of the Week

The question was simple: “Who is today’s Shakespeare?” The answer was not so simple, but led to one of the most interesting discussions the blog has ever seen. Aaron Sorkin, David Mamet, Joss Whedon, Steven King, and Bob Dylan all got their day in court, but can there ever really be another?

February: Hey Nineteen

This was a short month that was shorter on posts, but I did enjoy this one. President Bush’s approval rating had dropped to an embarrassing 19%. An old Trident ad once boasted that four out of five dentists recommended sugarless gum. Bush was less popular than sugared gum among dentists.

March: Bad Clue

Due to my obsessive Shakespeare pedantry, I noticed an error in a Jeopardy! clue. It did not affect the outcome of the game, but I was happy to see the error noted in the J! archive, using the identical wording I used in the blog (which I had also posted to the Ken Jennings message board).

April: Shakespeare 24

Riffing on the title of a global Shakespeare event, I put together an hour-by-hour plot summary of a fictional season of 24, using Shakespeare plots, characters, and devices. If you know both sources, it’s pretty funny. A later attempt at a Greek Tragedy 24 was too “on the nose” to really be funny.

May: Shakespeare Anagram: A Midsummer Night’s Dream

In the last act, Theseus is asked to choose a play from among four choices. I did an anagram for each of the four play titles looking for secret messages, and lo and behold, there was a message in each of them claiming authorship for Sir Francis Bacon. A later anagram clarified that it was all just a dream.

June: Pic Tac Toe in 3D, Part IV

It’s not easy fitting 49 themes neatly in a puzzle, and I’ve often had to rely on some weak connections to make it work. This was the first 3D puzzle where I felt that all 49 themes were strong and interesting. And based on the 70 comments in the thread, the puzzle was a hit with solvers as well.

July: Shakespeare Anagram: Hamlet

This is far and away my favorite of all of the anagrams on the site. I took five of Hamlet’s most famous speeches and adapted each of them to be a perfect anagram of the first 14 lines of the “To be or not to be” speech. Links to the originals are included, so readers can see how close I was able to come.

August: Thursday Morning Riddle: Special Edition

The blog’s 100th riddle had a self-referential answer: 100. Neel both solved the riddle and guessed the meaning. In the comments, I promised “Next week: Riddle 101!”, meaning that it would be the 101st riddle. But when the time came, I couldn’t resist, and the answer to the following riddle was 101!

September: Shakespeare Anagram: Henry VIII

In celebration of Shakespeare’s pro-Tudor slant on history, I took the unlikely speech in Henry VIII where Henry reacts to the birth of his daughter Elizabeth, and anagrammed it into something much closer to what he actually would have said. Something about this one really tickles me.

October: Shakespeare Anagram: Henry IV, Part Two

There’s not much to choose from in October, but I was pleased with this anagram. Henry IV is giving advice to his son about how to conduct himself in the next administration, and the anagram is about an interview with five former Secretaries of State, giving advice to Obama.

November: Top Ten Reasons to Vote

I made a commitment to post every day in November, so there’s a lot to choose from, but I think I’m proudest of this one. Did I convince anyone to vote who wasn’t going to already? Probably not. But I think for those of us who do vote, the post was a nice reminder about why we do. It was for me.

December: Shakespeare Lipogram: Hamlet

I had so much fun with the lipogram experiment! The Hamlet lipogram wasn’t the most difficult (Measure for Measure was), but I spent more time on it than any of the others. It’s just not Hamlet without the speeches, and adapting those took a little extra effort. But it was a labor of love.

Happy New Year!

I know, voting can be a hassle. And it really won’t make much of a difference anyway, right?

But here are ten reasons you may want to consider showing up and making your voice heard on Election Day.

10. Because It’s a Ritual

You may not be personally deciding who the next president is going to be, but taking part in the process is a ritual that has more than symbolic value. When you personally go to the polls and perform the physical act of voting, you are establishing yourself as a member of a democratic society who has an investment in the outcome. Complaining is passive; voting is active.

9. To Create a Personal Narrative

Your voting patterns over the years can form a personal history. Were you a Reagan Democrat? Did you support Perot in 1992? I still remember that, two months after I turned eighteen, I participated in my first election. I strutted into the voting booth, and proudly cast my ballot for Michael Dukakis. That’s not a good example, but I think we understand each other.

8. Because You Never Know

In 2000, the final count in the Florida election put Bush ahead by just 537 votes. This decided the election. Your state’s presidential pick may be a foregone conclusion, but there are plenty of down-ticket races where you just might make a difference. The League of Women Voters has more examples of close races.

7. Because They Don’t Want You To Vote

In this case, “They” describes the people who have the polar opposite views as you do. They disagree with you on every major issue. They would take the country – in your opinion – in the absolute wrong direction. And they hate you. They don’t want you to vote. They have invested considerable time and resources into discouraging you to vote. Drive them mad.

6. To Represent

In the post-election analysis, pundits who suddenly have a lot of time on their hands will be breaking down the data from the election to see which demographic groups had the greatest impact. The interests of those groups will be of great interest to politicians moving forward. Just ask a soccer mom. By turning out and representing your demographic, you increase the visibility of your group and its needs.

5. For a Sense of Community

They say that all politics is local, and that always makes me think of Election Day. My polling place is an elementary school gymnasium. When I arrive, there is a bake sale in progress to raise money for the school. Elderly volunteers kindly direct me to my district’s section of the gym. And when it’s my turn, I vote. I may be alone in the booth, but we’re all in this together. I always purchase a snack on my way out – it’s for a good cause.

4. To Qualify for Jury Duty

Okay, now that’s just crazy. Isn’t that a reason not to vote? No, jury duty is every bit as much of a civic duty as voting. Sure, it can be a drag. So is paying taxes, but we do it because of what we get in return. If my house is on fire, someone will come and put it out. That’s awesome! Think of jury duty as a government tax on your time. What do you get in return? You get to live in a country where, if you get arrested, you get to be judged by a jury of your peers, not the guy who arrested you. That’s awesome!

3. To Be a Part of History

One way or another, we’re going to make history tomorrow, whether we elect a black president or a female vice president. You don’t want to be able to tell your grandchildren that you voted in that election? You don’t want to be a part of that moment in time? When the results are announced, and the numbers are tallied, you don’t want to be counted among them? I think you do.

2. Because People Have Fought and Even Died For It

That one pretty much speaks for itself. People fighting for the right to vote didn’t consider it trivial. Blacks got the right to vote in 1870. Women got the right to vote in 1920. In 1971, during the Vietnam War, the voting age was lowered from 21 to 18. The reasoning was that a citizen who is old enough to be drafted to fight for the country is old enough to vote for the people who make the decisions about war. Voting is important.

1. Because Democracy is about You

The idea behind our democracy is rule by the people. There is no special class of citizens who make the decisions for the rest of us. It’s up to each of us to take part in our democracy. That’s the only way it works. It’s this incredible experiment where a people stood up and said they didn’t need a king and that they could govern themselves. When we become apathetic about that enormous responsibility, we allow the country to be taken over by interests other than our own. Voting is not only our right as citizens; it is a solemn duty.

The system is far from perfect, and you may not fully buy into all of the reasons I’ve presented. Churchill said that democracy is the worst form of government, except for all of the others. So vote for whatever reason you want. Vote to get the little sticker that says “I Voted.” Indeed, it is a powerful statement.

I’m always curious to see what search terms bring people to this site. Here is a list of all of the search terms that brought people here yesterday:

how shakespeare demonstrated “religion” in his plays

presidents with the letter y in their name

king henry viii shakespeare for children

who are the present day descendants of ann boleyn

king henry the eighth for kids

modern day descendants of henry the eighth

free shakespeare for kids

shakespeare did math

math – coins – line drawings of

saddam hussein vs. iago

textual analysis of elizabath i letter to king james vi

what play of shakespeare hads the word shyster in it?

characterize ophelia in act 3 scene 1

open-ended question of the week

who am i riddles

music tech teacher.com’

shakespeare class distinction “as you like it”

sir francis bacon blog

The word “shyster” does not appear in Shakespeare. There is a character named Shylock in The Merchant of Venice, and a popular anti-lawyer quote in Henry VI, Part Two.

Several United States presidents have had the letter Y in their names. First name: Ulysses S. Grant, Harry S. Truman, Lyndon B. Johnson, Jimmy Carter; Last name: John Tyler, Rutherford B. Hayes, William McKinley, John F. Kennedy; First and Last Name: Zachary Taylor; Commonly Used Middle Name: John Quincy Adams, William Henry Harrison.

As for the Ophelia thing, do your own homework.

In addition to the websites recommended earlier, here are a few more Shakespeare resources you may enjoy:

In Search of Shakespeare: The companion website to the PBS series also includes a resource page for educators.

Shakespeare Defined: A resource for looking up definitions of words in Shakespeare.

Shakespeare Resources: A Shakespeare portal by a professor in Tennessee.

Just a few items I’ve been meaning to link to for a while now, but never could find the right context:

• Priests to Purify Site After Bush’s Visit – President Bush has apparently lost the Mayan vote.
• Germany GenWeb Project Map List – Here’s another collection of cool historical maps.
• ABC Plans Show Based on GEICO Caveman – It was entertaining for thirty seconds. Let’s try it for a season or two.
• D-E-F-I-N-I-T-E-L-Y.com – Just in case you were wondering how to spell it.

First of all, I want to thank everyone who answered last week’s question about the reliability of Wikipedia. The discussion there was one of the most vibrant of the blog so far. Between that and the subsequent post about Fox News, it made me realize that there is a larger question we need to address here: What does it mean for a source to be reliable?

The answer may be changing with the culture, and some quick background reading may help support that potentially controversial claim. Cynthia points us to the article in the The Chronicle for Higher Education The Intellectual in the Infosphere, which hits a lot of key issues in a short space and is definitely worth checking out. I also have an earlier post about the changing nature of information in the digital age. And then there’s the Karl Fisch video.

So with all that in mind, it’s as important as it’s ever been to ask what it actually means for a source to be reliable. Does it simply mean that we can count on it for accurate facts? Or do we require more from our sources than just fact checking?

Is it important for a source to give us balance between different points of view? Or can a source be reliable and just give us one point of view? And if the source only provides one point of view, how important is it for the source to share our values? Could different sources be reliable for different people, or is reliable meant to be an objective term?

Is a source that provides a more depth of coverage always more reliable than a superficial one? Does quality of writing affect reliability? Does a proven track record count for anything? Or do these factors co-exist with reliability without affecting it? Is a primary source always more reliable than a secondary source? Or can secondary sources bring qualities to the table that can increase reliability?

And does reliability cover just facts? Or can sources also provide opinions? Are you more likely to be persuaded to share an opinion that’s expressed by a source you already trust? Is that a part of reliability? Is it even possible for a source to be value neutral? Or does a source always have an inherent value system by the choices it makes in what information to present? If a source presents information in a way that doesn’t fit your worldview, which sources can affect your willingness to reevaluate that worldview, and which sources would simply make you doubt the source?

Does the element of time affect reliability? The book you purchase in the book store may have been written months ago, while a website might be updated while you’re reading it. Does this affect reliability, and if so, in which direction?

Once you’ve answered these questions for yourself, I’d like you to consider the relative reliability of the following twenty sources when it comes to information, perspectives, and opinions about, say, the Bush administration:

A. Joe Biden on This Week with George Stephanopoulos
B. Wolf Blitzer on CNN
C. Dick Cheney on Meet the Press
D. Noam Chomsky in a new book published by AK Press
E. Katie Couric on The CBS Evening News
F. The New Encyclopedia Britannica, 2007 edition (Hardcover)
G. Thomas Friedman in a New York Times Op-Ed
H. Seymour Hersh in the current issue of The New Yorker
I. Brit Hume on Fox News
J. Russ Kick in a new book published by the Disinformation Company
K. Rush Limbaugh on his radio show
L. Michael Moore in a new documentary
M. Sean Penn while accepting an acting award
N. Tony Snow from the White House briefing room
O. Jon Stewart on Comedy Central’s The Daily Show
P. The White House website
Q. Christie Todd Whitman on Real Time with Bill Maher
R. Wikipedia in an entry with no controversy alerts
S. Bob Woodward in a new book published by Simon & Schuster
T. Markos Zuniga on his blog The Daily Kos

I lettered them instead of numbering them because you may wish, as part of your answer to the question below, to rank some or all of these twenty sources in order from most reliable to least reliable. If two of these sources gave conflicting information, which would you be more open to, and why? What if their information didn’t conflict, but they selcted facts that promoted different biases? What if their facts were the same, but they presented conflicting opinions?

What does it mean to you for a source to be reliable?

At the risk of appearing like I’m trying to out-geek the Shakespeare Geek, here’s another list.

You’ve seen my top 25 favorite plays and my top 25 favorite scenes (then expanded to 50). Here are my top 50 favorite characters (or groups of characters) from Shakespeare’s plays at the present moment. Enjoy! And feel free to add to the conversation, especially if I’ve left some of your favorites out!

50. The Nurse (Romeo and Juliet) – The play may be a tragedy, but the Nurse is one of the great comic roles in Shakespeare.

49. The Duke of York (Richard the Second) – The remaining son of Edward III is so loyal to the King, he’ll turn in his own son as a traitor.

48. Sir Toby Belch (Twelfth Night) – Think Falstaff without the good manners. Half the time he’s plotting; the other half he’s drunk.

47. The Prince of Morocco & The Prince of Arragon (The Merchant of Venice) – It’s hard to tell which of these two suitors to Portia is more unsuitable, or more hilarious.

46. Dogberry (Much Ado About Nothing) – The muddled constable of the watch who bumbles his way into uncovering the evil plot!

45. Helena (All’s Well That Ends Well) – I’ll never understand what a quality woman like Helena sees in a loser like Bertram. Sigh.

44. Richard the Second (Richard the Second) – Too much philosopher, not enough king. But divine right is divine right. Isn’t it?

43. Philip the Bastard (King John) – When you’re already a bastard, who cares what people think of you? Certainly not Philip.

42. Polonius (Hamlet) – He may be a rash, intruding, doddering old fool, but his madness has a method to it. I think.

41. Beatrice and Benedick (Much Ado About Nothing) – You can’t have one without the other. Sharp banter hiding a deep affection – very cool.

40. Portia (The Merchant of Venice) – Unlike some love interests, Portia is actually worth the winning, and not just for her money.

39. Puck (A Midsummer Night’s Dream) – The mischievous sprite who doesn’t mind helping mortals at times, as long as it’s funny.

38. Mercutio (Romeo and Juliet) – The madcap kinsman to the Prince is a grave man when caught between the two houses.

37. Lucio (Measure for Measure) – This guy is a riot from beginning to end, but slandering the Duke to his disguised face rules.

36. Marc Antony (Multiple plays) – His funeral oration is a masterpiece, but his most powerful line? “I am dying, Egypt, dying.”

35. Viola (Twelfth Night) – Her disguise-as-a-boy plan plunges her in over her head, but she handles it all with grace.

34. Brutus (Julius Caesar) – This was the noblest Roman of them all, deeply conflicted and ultimately his own undoing.

33. Cloten (Cymbeline) – Proud, arrogant, foolish, entitled, and a bully, Cloten is nothing but a suit and a title. Fun!

32. The Earl of Kent (King Lear) – Deeply loyal to the King who has banished him, Kent has something to teach us all.

31. Malvolio (Twelfth Night) – He didn’t really deserve what he got in the play, but he is a Puritan, after all.

30. Jacques (As You Like It) – He’s probably bipolar, but he’s a deep thinker and a keen observer of the human condition.

29. Caliban (The Tempest) – Caliban’s antics are a lot of fun, but I’m more interested in his backstory and its meaning.

28. The Weird Sisters (Macbeth) – Do you think the three witches predict the future? Or do they cause it?

27. Tranio (The Taming of the Shrew) – A servant, who we mostly see playing gentleman. At the end, he’s back to waiting tables.

26. Lewis the Dauphin (Henry the Fifth) – We’re shown Henry’s suitability to be the next French king by seeing a weak Dauphin.

25. Isabella (Measure for Measure) – After all she’s been through, the Duke gives her one final impossible test. She passes.

24. Petruchio & Katherine (The Taming of the Shrew) – When an irresistible force meets an immovable object, somethin’s gotta give…

23. Emilia (Othello) – She’d make her husband a cuckold to make him a king, but won’t cover for his wickedness.

22. Iachimo (Cymbeline) – This “Little Iago” is clever and dishonest, and starts up way more trouble than he means to.

21. Enobarbus (Antony and Cleopatra) – A loyal soldier who can’t support Antony’s self-destructive course, and dies of shame.

20. Goneril & Regan (King Lear) – The wicked ones turn on their father, their husbands, their sister, and finally, each other.

19. Jack Cade (Henry the Sixth, Part Two) – This rough-hewn pretender to the throne would abolish money and kill all the lawyers.

18. Helena (A Midsummer Night’s Dream) – My heart just goes out to Helena, who is such a sweet person and gets rotten treatment.

17. Prospero (The Tempest) – The Duke of Milan, and wise old master of knowledge, books, and the elements of nature.

16. Hamlet (Hamlet) – The melancholy Dane helps us understand that murky place between thought and action.

15. Queen Margaret (Multiple plays) – With an amazing character arc that spans four plays, Margaret puts the “It” back in bitch.

14. Rosalind (As You Like It) – Let’s face it – Rosalind carries the whole plot on force of personality. We like her, so it works.

13. Macbeth (Macbeth) – From noble warrior to homicidal maniac, Macbeth experiences an incredible transformation.

12. Bottom (A Midsummer Night’s Dream) – The megalomaniac actor! We can all recognize him, but do we recognize ourselves in him?

11. Cleopatra (Antony and Cleopatra) – She’s a strong, empowered woman who’s not above using sex as a political tactic.

10. Edmund (King Lear) – A charming villain – all honor on the outside, and evil on the inside. What a bastard!

9. Othello (Othello) – A complex and passionate character, who loved (and trusted) not wisely, but too well.

8. Sir John Falstaff (Multiple plays) – A drunk, a theif, a liar, a glutton, and a pure hedonist. And those are his good points.

7. Duke of Gloucester/ Richard the Third (Multiple plays) – Since he cannot prove a lover, he is determined to prove a villain!

6. Shylock (The Merchant of Venice) – The Jewish moneylender may be the villain, but Shakespeare shows us his human side.

5. King Lear (King Lear) – Is dying the worst thing that can happen? What about having it all and watching it fade?

4. Prince Hal/ Henry the Fifth (Multiple plays) – Shakespeare traces England’s great hero from his wayward youth to his victory in France.

3. Lady Macbeth (Macbeth) – An equal partner in evil to Macbeth, and a force to be reckoned with. But then she breaks.

2. The Fool (King Lear) – The Fool balances that fine line between jesting clown, and sharp commentator on events.

1. Iago (Othello) – The hands-down, pure evil incarnate, puppet master general. But why does he do it?

Based on the overwhelming response to yesterday’s post listing my top five and twenty favorite scenes from Shakespeare, I’ve decided to post my next five and twenty favorite scenes from Shakespeare. The standard disclaimers apply.

50. Antony and Cleopatra: Act 5, Scene 2
The captured Cleopatra has been placed on suicide watch. But she has a poisonous asp smuggled in, and delivers the fatal wound to her bosom. “Does thou not see the baby at my breast,/That sucks the nurse asleep?”

49. Macbeth: Act 5, Scene 5
In the heat of battle preparations, Macbeth receives news that his wife has died. He allows himself a reflective moment where he ponders the meaninglessness of brief life. And for that moment, we remember that this monster was once a human being with the capacity for reason and love.

48. Richard the Third: Act 3, Scene 7
In the final stages of his plan to seize the crown, Richard orchestrates a show where his friends and lackeys beg him to be king, and he says no. Finally, he relents. “I am not made of stone”

47. Henry the Fourth, Part Two: Act 5, Scene 5
Now that his buddy Prince Hal has become King Henry the Fifth, Falstaff thinks that he’s going to play a very important role in the new administration. Falstaff has another think coming.

46. As You Like It: Act 3, Scene 2
This is a somewhat varied scene, and a lot of fun things happen in it, but the main point is that, having discovered that Orlando is writing love poems to her and hanging them on trees in the forest, Rosalind decides to allow him to believe she is a boy, and offers to cure him of his love by pretending to be his love.

45. Henry the Sixth, Part One: Act 2, Scene 4
In the Temple garden, partisans of the King and of Richard Plantagenet pluck red and white roses respectively to show their support. Could this lead to war? And what might we call such a war?

44. Macbeth: Act 1, Scene 3
Returning from battle, Banquo and Macbeth are greeted by three witches who predict that Macbeth will become Thane of Cawdor and then King. Then, messengers from the King arrive and tell Macbeth he has just been named Thane of Cawdor. Things that make you go hmmm…

43. Hamlet: Act 3, Scene 2
Unsure whether or not to trust the ghost’s word, Hamlet stages a play mirroring the circumstances of his father’s death, so he can watch his uncle’s reaction. Does the plan work? Big time. And Hamlet’s famous advice to the players is in this scene, too.

42. Henry the Sixth, Part One: Act 4, Scene 5
The great Lord Talbot fears that his forces will be defeated in tomorrow’s battle. So he sends for his son, young John Talbot, and tells him to flee before the battle. John refuses, and they debate in rhymed couplets. It’s not a long scene – go read it.

41. King Lear: Act 1, Scene 4
The banished Kent returns in disguise and offers to serve Lear. We meet the Fool, whose jests reveal both a fondness for Lear and a bitter disapproval of his actions. Lear’s curse on Goneril at the end makes the scene extraordinary.

40. Henry the Fifth: Act 2, Scene 2
Henry has discovered three traitors among his officers. Before revealing this, he asks them what the penalty should be for traitors. His own oratory in this scene is powerful.

39. Julius Caesar: Act 4, Scene 3
Brutus and Cassius, having murdered Caesar, now lead an army against his partisans. In this scene, the growing tensions between them explode, and lead to an unexpected outcome.

38. Henry the Fourth, Part Two: Act 4, Scene 5
Prince Hal finds his father asleep, assumes he’s dead, and helps himself to the crown. When Hal returns, Dad’s awake, and the two of them have at it. And at the end of the scene, the prophecy he’s been talking about since like two plays ago is fulfilled.

37. Othello: Act 4, Scene 3
A quiet scene between Emilia and Desdemona before all hell breaks loose. This is a study in contrast between the innocent naif Desdemona and the world-wise Emelia.

36. Macbeth: Act 5, Scene 1
Lady Macbeth has been a rock through all of the killing and deception that put her husband on the throne. But now she’s sleepwalking, and everything comes out. Except for that spot of blood.

35. King John: Act 4, Scene 1
King John has sent Hubert to murder the young Arthur to eliminate his challenge to the throne. But the boy talks Hubert out of it. Shakespeare wrote this play after losing his own young son to the plague.

34. Romeo and Juliet: Act 2, Scene 2
Well, what can I say? It’s the balcony scene.

33. Much Ado About Nothing: Act 4, Scene 1
Hero is disgraced by Claudio at their wedding and her cousin Beatrice is beside herself. Claudio’s friend Benedick stays to comfort her. And amid this emotional turmoil, they confess their feelings for each other. He tells her he’ll do anything for her. Her response: “Kill Claudio.”

32. Hamlet: Act 5, Scene 2
Talk about a big finish. This scene is so imprinted on our collective psyche that it almost turns invisible when making a list like this. Almost.

31. Julius Caesar: Act 3, Scene 1
I really like the pacing of the lines just before the assassination. After the deed, the killers are so sure of history’s favorable judgment. And finally comes Antony’s stirring monologue. But my favorite part of this scene is the first two lines.

30. The Taming of the Shrew: Act 2, Scene 1
The first meeting between Petruchio and Kate. Need I say more?

29. King Lear: Act 4, Scene 7
Lear is rescued by and reunited with the daughter he banished. His mind is nearly gone by now, but as he begins to recognize her, he is deeply ashamed of his earlier behavior.

28. Macbeth: Act 3, Scene 4
King Macbeth sees the murdered Banquo at a banquet, but nobody else can see him. Is this the ghost of Banquo come to haunt him, or another hallucination brought on by guilt?

27. Twelfth Night: Act 1, Scene 5
Here we see the first meeting between Olivia and the disguised Viola. At first, Olivia toys with the youth, but then realizes that there’s more to this young “man” than meets the eye.

26. Richard the Second: Act 4, Scene 1
Richard’s reluctant abdication paints a portrait of a man who never asked to be king, but can’t quite give it up. It’s a moment in English history that sparked enough strife for no less than eight Shakespearean histories.

The Top Five and Twenty

As long as we’re making lists, how about our top five scenes? I made my list (see below), feel free to play along in the comments, or on your own blog, or both. As before, this list is based on my own personal preferences at this particular moment. I’ll be using the scene divisions from Bartleby.com.

And, as before, my top five list has twenty-five entries. Enjoy!

25. A Midsummer Night’s Dream: Act 5, Scene 1
I had to include the Pyramus & Thisby performance at the end of Midsummer. The happy ending to the real story has already come, and now we can just relax and enjoy the show.

24. Hamlet: Act 3, Scene 4
The effect of Hamlet’s berating his mother in her bedchamber, and raising the tension until it is released by his killing Polonius, is devastating on stage. When the ghost arrives, we must listen.

23. King John: Act 1, Scene 1
Robert Faulconbridge claims that his brother Philip is a bastard, not entitled to his father’s lands. King John and his mother recognize the madcap Philip as natural son to the late King Richard, and welcome him into the royal family.

22. Richard the Third: Act 1, Scene 2
Richard has killed Anne’s husband and his father. He woos her and wins her hand, reveling in overcoming impossible odds. There is some really elegant use of language in this scene.

21. The Comedy of Errors: Act 3, Scene 1
This scene cracks me up. Antipholus of Ephesus is locked out of his house, because his wife thinks he’s inside. Actually, it’s his long lost twin brother. The rolling verse makes the scene.

20. Twelfth Night: Act 2, Scene 4
Viola is in love with Orsino, but he thinks she’s a boy. She tells him of her love using a supposed sister. Orsino is in love too, and both of their passions are stirred by a song. This scene “gives a very echo to the seat where love is throned.”

19. Measure for Measure: Act 2, Scene 4
Angelo has sentenced Isabella’s brother to death, but he offers to release him in exchange for sex. She tells him to stick it. But now she’s in a bind. In the hands of talented actors, this scene kills.

18. Henry the Sixth, Part Three: Act 1, Scene 4
The Duke of York has made a claim to the throne, but now is captured by Queen Margaret who taunts him with a paper crown and a napkin dipped in the blood of his dead son. He curses her, and she has him killed. “Off with his head!”

17. As You Like It: Act 5, Scene 4
Rosalind and Celia reveal their true identities to their astonished lovers. And if four weddings and some songs aren’t enough of a happy ending, the banished Duke is restored. I couldn’t resist including it.

16. King Lear: Act 1, Scene 1
This scene could be a play unto itself. Cordelia refuses to participate in flattering her father for his land and is banished. But then she weds the King of France and lives happily ever … no, wait.

15. Othello: Act 3, Scene 3
Through subtle innuendo and hints of suspicion, Iago brings Othello from being completely free of suspicion toward Desdemona, to a jealous rage against her.

14. Measure for Measure: Act 5, Scene 1
Shakespeare spent the whole play setting up the dominoes and lets them fall in this final scene. Isabella has a big choice to make, and she takes the high road. But what about her final choice? Shakespeare doesn’t say.

13. Macbeth: Act 5, Scene 7
The prophecies have all come true, but Macbeth isn’t ready to give up the crown yet, let alone the ghost. In defiance of law, of country, of nature, and of fate itself, he fights. And he dies.

12. Hamlet: Act 5, Scene 1
Hamlet jokes and reflects on death with a gravedigger and Horatio before learning the grave is to be Ophelia’s. And the gravedigger started working the day Hamlet was born. Think about that for a moment.

11. Macbeth: Act 1, Scene 7
Lady Macbeth goads Macbeth into regicide by attacking his manhood and questioning his love. He’s against killing the king on moral grounds, until she presents a plan with a good chance of working, and then he’s in.

10. Henry the Fourth, Part One: Act 2, Scene 4
A fun tavern scene with Jack Falstaff telling tall tales, and a role-playing exercise that turns sour.

9. King Lear: Act 5, Scene 3
The sisters undo themselves. Edgar defeats his treacherous brother Edmund. And then Lear dies with Cordelia in his arms. Good has triumphed over evil, but what spoils are left for the victor?

8. Richard the Third: Act 5, Scene 3
The ghosts of all Richard’s victims disturb his rest the night before the decisive battle. In the morning, he and Richmond deliver orations to their troops, contrasting their different leadership styles.

7. Hamlet: Act 3, Scene 1
The “To be, or not to be” soliloquy is great, but the scene with Ophelia that follows is what makes the list. Love has turned to resentment and bitter mistrust. He must continue to play mad, but his actual sanity is now at risk.

6. Julius Caesar: Act 3, Scene 2
At Caesar’s funeral, Antony, who has promised not to speak ill of the conspirators, delivers an oration that turns the crowd against them. It’s a testament to the power of good rhetoric, and the power of love and loyalty.

5. Othello: Act 5, Scene 2
Othello murders Desdemona and then discovers the truth of the plot against him. Othello’s passionate speeches of angst and remorse are contrasted with Iago’s dispassionate demanor after being caught.

4. A Midsummer Night’s Dream: Act 3, Scene 2
The four lovers, giddy with love’s madness, quarrel to the shock and amusement of the fairies. After going to much trouble to set it up, Shakespeare doesn’t let us down. This is just pure fun.

3. Macbeth: Act 4, Scene 1
Obsessed with succession, Macbeth demands answers from the witches, who tell him much more than he really wants to know. The witches’ brew part alone is for the ages. “Double, double, toil and trouble…”

2. King Lear: Act 4, Scene 6
The mad Lear meets the blind Gloucester. Lear’s speech is filled with sense, and yet is nonsense. Gloucester, who has by now realized he was blind when he had eyes, now says he sees the world feelingly. Also notable is Edgar pretending to lead his blind father to the edge of a cliff. Heartbreaking.

1. Richard the Third: Act 4, Scene 4
By the fourth scene of the fourth act of the fourth play in the series, most of the bad stuff that was going to happen has already happened. The widows gather and compare their losses. Then Richard, the cause of their misery, enters. He recieves a blistering rebuke from his own mother. He is then left on stage with his sister-in-law, whose two sons he has murdered. And he asks her for the hand of her daughter, his niece, in marriage. Now that’s chutzpah!

The Shakespeare Geek has posted his top five favorite Shakespeare plays, based on another blogger’s post listing his top five favorite Shakespeare plays.

Man, how can you do that? I tried it myself, but the list got a little out of hand. My top five list turns out to have twenty-five plays in it. Bear with me. Here they are, in the ascending order of my preference today. If I made the same list tomorrow, it might be different.

25. The Tempest – Critics deny this is Shakespeare’s farewell to the theatre, but read it and decide for yourself. Prospero, Ariel, Caliban, and Miranda are unique in Shakespeare, strange for so late a play.

24. Much Ado About Nothing – There is a lot in this play to recommend, but Beatrice and Benedick are the most fun. I’m also a fan of Dogberry the Constable and, in his own way, Don John.

23. The Winter’s Tale – I like this play… not as much as other people may like it, but I like it well enough. There are some great speeches in the play, and more than a few moments that kill on stage.

22. Henry the Sixth, Part Three – The paper crown scene alone should bring this play some recognition. I also enjoy the early character development of Richard Gloucester, the future King Richard III.

21. Henry the Fourth, Part Two – Vibrant tavern scenes, darkly comic scenes, frenetic battle scenes, and one intense standoff between King Henry and his son Hal. Don’t miss the last five minutes.

20. The Comedy of Errors – This play can be a lot of fun if you accept it on its own terms. The scene where Antipholus of Ephesus is locked out of his house is reason enough to make the list.

19. Cymbeline – This is a hidden treasure, filled with great scenes and powerful moments. It has a beautiful fairy-tale quality, strong characters, passionate poetry, and a satisfying ending. More here.

18. The Taming of the Shrew – The first scene between Kate and Petruchio is an all-time classic, and the piece as a whole is a wonderful bit of inspired silliness. The taming can be a bit jarring, though.

17. Romeo and Juliet – I think it would be hard for anyone to make a Top Five and Twenty list of favorite Shakespeare plays and not include Romeo & Juliet. The poetic language is beautiful.

16. Twelfth Night – There’s a lot going on in this play, and it all works on stage. Don’t let the slapstick elements fool you into thinking this is an unsophisticated play. It isn’t.

15. The Merchant of Venice – This is another play with a rich complexity that seems to burst out of its fairy-tale frame, which is what allows the darker elements of the play finally to surface.

14. Henry the Fourth, Part One – Who could resist the irrepressible Falstaff, and his relationship with the young Prince Hal? This play has my favorite tavern scene, and lets not forget Hotspur either.

13. King John – Shakespeare wrote this play just after the death of his eleven-year-old son, and the influence of that event on this play is breathtaking. Also, the Bastard is a character well worth knowing.

12. Richard the Second – For God’s sake, let us sit upon the ground and talk about the richly complex symbolism and beautiful flowing poetry in this play. Go and fetch me a looking glass.

11. Antony and Cleopatra – It’s a love story. It’s a war epic. It’s a geopolitical thriller. It’s the greatest story in history told by history’s greatest storyteller. This is not your high school Romeo and Juliet.

10. Henry the Fifth – This is a tight, passionate, stirring play. It’s also a Rorschach test for how you feel about war. Each scene is a mini-masterpiece, and the use of language is extraordinary.

9. Julius Caesar – This powerful tale of politics, rhetoric, and betrayal in Ancient Rome may be a schoolhouse classic, but it’s a better read as an adult. I find myself coming back again and again.

8. Measure for Measure – Darker and more overtly sexual than most of Shakespeare’s other comedies, this play explores both the depths of depravity and the better angels of human nature.

7. As You Like It – This Shakespearean fairy tale is filled with laughs, love, and music. Shakespeare knew what audiences liked, and he gave it to them in this aptly named comedy.

6. A Midsummer Night’s Dream – One can only imagine what the effect must have been of having fairies and nobles and workmen wrapped up in the same story on stage. One for the ages.

5. Othello – This is a true masterpiece: in characterization, plot structure, emotion, pacing, poetic language, potency, and thematic cohesion. This is how to write a play, my friends.

4. Macbeth – I’ve always found this play extremely riveting from beginning to end. The witches prophesy Macbeth will be King, setting a chain of events irrevocably in motion. Spellbinding.

3. Hamlet – Never before or since has there been such an intimately detailed character study. Was he mad? My father once said, “if you took that close a look at any of our minds, we’d all seem mad.”

2. King Lear – I make new discoveries every time I read this play, and not just discoveries about the play. This may be the greatest thing ever written in the English language. I may never fully grasp it.

1. Richard the Third – My personal favorite, and a guilty pleasure at that. Somehow, Shakespeare makes us root for the bad guy. Is there a secret evil genius within us that he speaks to? I’ll never admit to it.

So those are my top five favorite Shakespeare plays. Feel free to post your top five favorite Shakespeare plays in the comments, however many there may happen to be.