I’ve been finishing up some end-of-the-year work, which is why posting has been light. But I did want to give an update on the Elementary Education Conference at the Folger last week.

The conference was two days, and was aimed at exploring ways to teach Shakespeare in the elementary school classroom. I had a great time attending the other presentations, and took away a lot of great activities to use with my students.

For my own presentation, I did this activity, and showed this project, both of which were very well received. The latter was done with 8th grade students, but it gave me a chance to talk a little bit about the cognitive differences between students in elementary school and students in junior high school. This was mostly taken from my dissertation, which was specifically on teaching Shakespeare in the elementary school.

Perhaps that’s why what struck me the most seemed to be the novelty of it all. When I worked for the Folger’s Teaching Shakespeare Institute, all of the participants were experienced teachers of Shakespeare. In fact, we hand-picked teachers who would be most likely to be able to implement what we were teaching them. But for this conference, about half of the elementary school teachers had never taught Shakespeare before, and were attending because they were intrigued by the idea. Plus, there were a number of junior high school teachers in attendance as well, looking for adaptive activities they could use to make Shakespeare more accessible to their students.

Elementary school is the best time to introduce Shakespeare to children (unless they happen have a dad like Duane who does it earlier) because they’re too young to be afraid of it. Once they get past the strangeness of the language and develop an appreciation for real human emotion and masterful storytelling of the plays, they have the whole rest of their lives to learn everything else.

Clearly, we still have a lot of work to do to get the word out!

The 8th grade class I’ve been working with on Othello has finished their video project, and it is now available for public viewing. Enjoy!

The students watched last year’s Cymbeline video before we began the project, so they could think about what they’d like to do as they read Othello. I’m really happy with the way it turned out. Feel free to share this video with anyone you think would be interested.

Last week, I saw the Public Theatre Shakespeare in the Park production of Twelfth Night. It was, in more sense than one, Shakespeare the way it was meant to be performed. For in addition to the clichéd compliment, the production took very few liberties with the play and instead chose to communicate Twelfth Night to us as written. It was one of the best productions I have ever seen.

I almost didn’t get the chance. Rain drizzled throughout the early scenes. The rolling green hills of the set looked like they might get muddy under such circumstances, but theatrical illusion being what it is, they were in no real danger. The roving band members, on stage for most of the performance, were tucked under umbrella-covered seats. In the middle of the third scene, the rain became too much and a voice over the loud speaker announced a “Pause for precipitation.” Julie White (Maria) looked visibly frustrated which elicited a laugh from the audience. We sat in the rain another fifteen minutes before it let up, not to return for the rest of the performance. The actors started over at the beginning of the scene, and we looked on with a renewed appreciation for the opportunity.

The cast was lead by Anne Hathaway, who gave a masterful performance as Viola, the keystone of the ensemble. But what struck me the most was how consistently good each member of the cast was in playing his or her role, together bringing forth the vibrant panoply of memorable characters that makes this play so much fun. For me, the standouts (in addition to Hathaway herself) were Hamish Linklater as Sir Andrew Aguecheek and Michael Cumpsty as Malvolio. But really, there wasn’t a weak performance in the pack, and I hesitate even to name those two at the expense of the rest.

The real star of this production, however, was the music. Along with As You Like It, this is one of Shakespeare’s most musical plays. Music is introduced as a vital theme in the very first line: “If music be the food of love, play on.” Scene after scene, music has the power to disturb, provoke, and inspire the passions of the characters. In this production, music is absolutely the driving force, with David Pittu (Feste) brilliantly leading a troupe of musicians around the stage, taking over every scene they’re in. Viola doesn’t sing in the original text, but perhaps director Daniel Sullivan didn’t want Hathaway’s beautiful soprano voice to go to waste, because she is given a song in her first scene as Cesario. (The song, I believe, is borrowed from Measure for Measure.) And, on the night I saw it, when Feste ended the play with “The rain, it raineth every day,” the audience laughed again in a shared joke with the company.

The show will run through July 12. If you get a chance to see it, I highly recommend you do so. This is one hell of a good time in the theatre.

From The Taming of the Shrew:

Where’s the cook? is supper ready, the house trimmed, rushes strewed, cobwebs swept; the serving-men in their new fustian, their white stockings, and every officer his wedding-garment on? Be the jacks fair within, the jills fair without, the carpets laid, and every thing in order?

Shift around the letters, and it becomes:

The wry new Jib-Jab video sketch, featuring President Obama, is rife with insightful humor. We elected this shrewder president on his refreshing superhero identity charge. Now, his nerves of steel must contend with many divergent dire tasks.

Watch it here. Pirates! Ka-chow!

From Othello:

Desdemona

Switch around the letters, and it becomes:

So dead.

Men!

It’s time once again to check in on what searches people have done to find themselves at Shakespeare Teacher, and to respond in the name of fun and public service. All of the following searches brought people to this site in the past week.

Just as Shakespeare’s history plays are often an examination of the inner lives of kings, The West Wing is an examination of what it’s like to be the President. Both deal with the psychological consequences of holding so much power. Was Bartlet’s sleeping disorder modeled after Henry IV’s?

Sorkin was certainly aware of the resonance, and a major story arc in Season 3 centered around President Bartlet attending a condensed version of Shakespeare’s history plays. In one scene, the President takes a moment to distract himself from some bad news about his re-election campaign to tell his aide about how excited he was about seeing the play. Then, he asks what’s really on his mind:

“If Shakespeare wrote a play about me, how many parts do you think it would be?”

I never did post the answers to this Shakespeare crossword. I’ll give it another week in case anybody still wants to try it, and then I’ll post the answers.

Catherine of Aragon
Anne Boleyn
Jane Seymour
Anne of Cleves
Catherine Howard
Catherine Parr

This search came in from the UK.

Since 1066, when William the Conqueror won the Battle of Hastings, the English crown has been held by one family (with a brief interregnum in the 1650’s). All subsequent monarchs have been direct descendants of William. So Queen Elizabeth II, for example, inherited the crown from her father King George VI, who (after his brother’s abdication) came to power through his father, King George V. His father was King Edward VII, whose mother was Queen Victoria. You could continue her line all the way back to William the Conqueror.

Henry VIII is also descended from William the Conqueror, but has no verified descendants. However, the Queen is descended from some of Henry’s suspected illegitimate children. So if they are, then she is.

I keep getting this search term. I give up. Why?

No, she isn’t. It was just a movie.

I leave the task of responding to the remaining search terms to my readers:

Thanks for the good feedback about last week’s invite rhymes for the Best of the Bard and Henry VIII invites. The Shakespeare invites don’t usually involve poetry, but I do like to include a tagline to catch the interest of group members. Since I haven’t actually organized a reading in some time, I could at least share with you some of the taglines I’ve used. And since there are a few Shakespeare lovers who read this blog, I thought we could make a game out of it.

Can you identify the fifteen plays represented by the taglines below?

1. Bundle up, head on over, and join us as we catch winter by its tale. Hot cocoa will be served.

2. You like it! You really like it!

3. Everybody dies.

4. Come join us at our favorite Bavarian beerhouse as we travel to an austere statehouse, a rowdy whorehouse, and a dank jailhouse.

And then we’re gonna read a play.

5. Revenge is a beach.

6. Witches! Ghosts! Swordplay! Intrigue! Betrayal! Treachery! And the cold-blooded murder of a benefactor! Come join in the fun, as we read the play that dares not speak its name.

7. An afternoon to read. A lifetime to master.

8. We all know what happens when the children of rival families fall in love. But what happens when the rulers of rival countries fall in love?

9. What better way to spend an afternoon than with Rumor, Blunt, Shallow, Silence, Fang, Snare, Mouldy, Shadow, Wart, Feeble, Pistol, Quickly, and Doll?

10. Four hundred years before Seinfeld, there was a show about nothing.

11. We’re gonna party like it’s 1199.

12. Cast of Characters: a nobleman in disguise, an adulterer, a tyrant, an outcast, a wimp, a lackey, a fugitive, a bastard, a fool, two wicked sisters, and an elderly king, slowly losing his grasp on his humanity. Yes, we’re all in there somewhere.

13. And now for something completely different.

14. Bon Appetit!

15. Come join our monthly meeting of conspirators as we sink our daggers into Shakespeare’s classic tale of political intrigue and betrayal in Ancient Rome.

BONUS QUESTION: If readings are typically held on the first Sunday of each month, what play would have been the appropriate choice for January 2008?

Please post whatever you come up with in the comments section.

UPDATE: Correct plays provided by Asher (10) and Jeremy (6).

From The Merchant of Venice:

Go with me to a notary, seal me there
Your single bond; and, in a merry sport,
If you repay me not on such a day,
In such a place, such sum or sums as are
Express’d in the condition, let the forfeit
Be nominated for an equal pound
Of your fair flesh, to be cut off and taken
In what part of your body pleaseth me.

Shift around the letters, and it becomes:

Obama’s Cardholder’s Bill of Rights may hamper undue predatory lending.

It won’t cap interest rates, but may end each hidden fee or a funny (or unfunny!) practice to rake your income.

And less opaque info may open the noose of those who offer money at usurious rates.

But it’s still a hoax. Pay them off.

The invitation rhyme I posted a couple of days ago got a good reaction, so I’d like to share with you another invitation rhyme. I wrote this one as an invitation to a reading of Henry VIII.

Enjoy!

The First hailed from Normandy, only to wreck it.
The Second one quarreled with Thomas of Beckett.
The Third one ascended to power at nine.
The Fourth was the first of the Lancaster line.
The Fifth one conducted a martial romance.
He married his queen after seizing her France.
The Sixth lost the War of the Roses, the fool.
The Seventh ignited a new Tudor rule.

But do you recall…
The most infamous Henry of all…

I was telling someone of my list of favorite scenes this evening, and it made me think of a reading that I was planning to have several years ago. Instead of choosing one play, I would edit together a collection of the most popular scenes for us to read. Due to scheduling problems, we weren’t able to have the reading, but I did send out an invitation. The invitation was written largely in iambic dimeter (!), and I thought the readers of this site might appreciate it.

Enjoy!

A witches’ brew. A fiery shrew. A knavish sprite. A portly knight. A maid’s disguise. A Jew’s surprise. A bastard’s plan. Each age of man. A paper crown. A motley clown. A nightmare haunt. This John of Gaunt. A guarded door. A jealous Moor. A castaway. St. Crispin’s Day.

A eulogy. A balcony.

The death of kings.

And other things…

It’s the very best of all the scenes, speeches, and sonnets from Shakespeare, hand-picked and edited by yours truly. Be there … or not to be there.