Archive for the 'Shakespeare' Category

Shakespeare Master Class

Saturday, March 17th, 2007

Well, the conference is over and it was fantastic. We focused mostly on pedagogy today, so I felt a lot more in my element. We also talked about the changing nature of the canon. Yesterday we did a lot of 19th century historical analysis of Shakespeare instruction, which was fascinating, but made me feel like I had a lot of catching up to do. (And when I do that catching up, I now know to start here.)

Anyway, I’m still processing it all. I’ll probably blog more on the conference when I return to NYC, but until I get back, please enjoy this video. In line with the theme of the Shakespeare classroom, here are a very young Stephen Fry and Hugh Laurie showing us how it’s done:

Enjoy the rest of your weekend!

Shakespeare Websites

Monday, March 12th, 2007

I know I’ve been quiet lately, relying mostly on regular features to keep the site active. I’m going to try to post some actual content over the next couple of days, including some theatre reviews of local (NYC) Shakespeare events. In the meantime, allow me to share with you my favorite Shakespeare-related websites. Hey, Charlie, we’re going to Candy Mountain! Candy Mountain, Charlie!

Internet Shakespeare Editions: The site looks simple and elegant, but runs deep. You can actually view screen shots of the different editions of Shakespeare. You can also search a database of performance histories. Lots more here as well.

Mr. William Shakespeare and the Internet: Primarily a portal to other Shakespeare sites, but the original content will make you want to stay for a while, particularly the interactive timeline of important events in Shakespeare’s life.

SCETI: Furness Collection: View a wide range of primary sources of Shakespeare and related subjects. Want to see a facsimile of Pope’s edition of Lear? Erasmus’s Praise of Folly? Or history’s most famous actors’ copies of the Shakespeare plays they performed in? It’s all here.

Shakespeare Resource Center: A site that lives up to its name. Rich with external links and organized by category, this site has enough original content that it will probably have what you’re looking for. But if it doesn’t, it will point you in the right direction.

Please enjoy these sites. And feel free to post some of your own favorites!

Slings & Arrows 3.4: Every Inch A King

Sunday, March 11th, 2007

The fourth episode of Season Three of Slings & Arrows airs on Sundance tonight at 8pm. It will also be repeated throughout the week.

Use the comments section of this post to discuss the episode. Any comments I may have will be posted in the comments section as well.

You can view the archives to discuss past episodes and seasons. Future episodes for Season 3 will be posted as they air on Sundance.

WARNING: Comments may contain further discussion of the show, including potential spoilers. Click through only after viewing the episode. Commenters may discuss this episode as freely as they like, though Canadian readers are asked not to post spoilers for any later episodes.

By the way, did you know that the show is co-created and co-written by Susan Coyne (Anna), Mark McKinney (Richard), and Bob Martin (Terry from Accounting in Season One)? That’s hot.

Slings & Arrows 3.3: The Way Madness Lies

Sunday, March 4th, 2007

The third episode of Season Three of Slings & Arrows airs on Sundance tonight at 8pm. It will also be repeated throughout the week.

Use the comments section of this post to discuss the episode. Any comments I may have will also be posted in the comments section.

You can continue to discuss last week’s episode here, and the first episode here. Discuss Season 1 here and Season 2 here. Future episodes for Season 3 will be posted as they air on Sundance.

WARNING: Comments may contain further discussion of the show, including potential spoilers. Click through only after viewing the episode. Commenters may discuss this episode as freely as they like, though Canadian readers are asked not to post spoilers for any later episodes.

By the way, did you know that Sarah Polley (Sophie) is the real-life daughter of Michael Polley (Frank)? That’s hot.

Question of the Week

Monday, February 26th, 2007

Last week, I posted a response to a blogger named Cesario who listed her ten unpopular opinions about Shakespeare. I registered my opinions for nine of them, but had only a non-committal response for her suggestion that Shakespeare was “probably Catholic” by saying there’s no way to know for sure. Well, of course there’s no way to know for sure. That’s why she called it an opinion, Shakespeare Teacher.

First, let me provide some quick background. In the early 16th century, England, like most of Europe, was a Catholic nation. During the Protestant Reformation, Henry VIII had a break with the Pope, partially over the question of whether he could divorce Catherine of Arragon (hint), and created instead the Anglican Church. After his death, his young son Edward VI and his advisors moved the country more solidly Protestant. After his death, came Queen Mary I.

Mary was of Spanish descent, and Spain was still solidly a Catholic country. She was the daughter of Henry VIII and Catherine of Arragon, and was married to the King of Spain (hint). She converted the country back to being Catholic, polarizing the country even further. Elizabeth inherited this strife and brought back the Anglican Church, but tried to implement the via media, or “middle way,” a compromise that made nobody happy. But this was the world that Shakespeare was born into, so if his family was Catholic, they would have had good reason to hide it. But lack of evidence alone isn’t proof either way.

I just did a Google search for “Was Shakespeare Catholic?” and the more interesting results can be found here and here. Both articles conclude that there’s no way to know for sure. So let me ask your opinion.

In your opinion, was Shakespeare Catholic?

Slings & Arrows 3.2: Vex Not His Ghost

Sunday, February 25th, 2007

The second episode of Season Three of Slings & Arrows airs on Sundance tonight at 8pm. It will also be repeated throughout the week, in case you have something else you want to watch tonight.

Use the comments section of this post to discuss the episode. Any comments I may have will also be posted in the comments section. Word from Canada is that the major themes for the season will be revealed in this episode.

You can continue to discuss last week’s episode here. Discuss Season 1 here and Season 2 here. Future episodes for Season 3 will be posted as they air on Sundance.

WARNING: Comments may contain further discussion of the show, including potential spoilers. Click through only after viewing the episode. Commenters may discuss this episode as freely as they like, though Canadian readers are asked not to post spoilers for any later episodes.

By the way, did you know that William Hutt (Charles) has been performing at the Stratford Festival in Canada since its very first season in 1953? That’s hot.

Slings & Arrows 3.1: Divided Kingdom

Sunday, February 18th, 2007

Season Three of Slings & Arrows begins on Sundance tonight at 8pm. Use this thread to discuss the episode.

I’m very excited for the new season, which unfortunately will be the last season. Will Geoffrey and Ellen end up together? Who will be the new cast members? What will happen to Oliver? Who will screw with Richard’s head this season? And most importantly, will there actually be a King Lear-based theme song?

Discuss Season 1 here and Season 2 here. Future episodes for Season 3 will be posted as they air on Sundance.

Use the comments section of this post to discuss the first episode of Season Three, “Divided Kingdom.” Any comments I may have will also be posted in the comments section.

WARNING: Comments may contain further discussion of the show, including potential spoilers. Click through only after viewing the episode. Commenters may discuss this episode as freely as they like, though Canadian readers are asked not to post spoilers for any later episodes.

By the way, did you know that Paul Gross (Geoffrey) and Martha Burns (Ellen) are married in real life? That’s hot.

Theatre: Midsummer at Theater Ten Ten

Sunday, February 18th, 2007

If you’re in the New York City area, you should check out A Midsummer Night’s Dream at Theater Ten Ten. I don’t want to give too much away, but let me tell you a little about the production I saw on Friday night.

It’s difficult to do something original, and yet supported, with this play, but director Judith Jarosz manages to pull more than a few surprises out of her bag of tricks that even a wary Shakespeare snob would have trouble nitpicking. Anticipate standout performances in the roles of Puck (Annalisa Loeffler), Hermia (Tatiana Gomberg), and Helena (Lynn Marie Macy), that not only challenge traditional interpretations of these characters, but also find new interpretations that really do work. And musical director/composer Jason Wynn deserves a special mention for some of the most memorable moments of the production.

Tickets are a bargain at $20, and the theatre is conveniently located on the upper east side of Manhattan, 1010 Park Ave., between 84th Street and 85th Street. The play runs through March 11. You can find more information on their website, including information on how to reserve tickets.

If you do see the show, you can discuss it in the comments section of this post. If you really like the show, you can give them some good buzz at the New York Innovative Theatre Awards website and help them get some additional funding. They’re a small theatre that does strong work, and can use all the support they can get. You can start by treating yourself to this wonderful show.

WARNING: Comments may contain further discussion of the show, including potential spoilers.

Slings & Arrows: Season Two

Sunday, February 18th, 2007

Don’t forget – Sundance is showing all six episodes of Season Two of Slings & Arrows today from 3pm to 8pm. Then, the new season begins at 8pm.

Use the comments section of this post to discuss any aspect of Season Two. You can discuss the Darren Nichols production of Romeo & Juliet, the new internship program, Frog Hammer’s marketing campaign, Ellen’s audit, the main stage production of, um, “Mackers,” or the elementary school version of it.

You can continue to discuss Season One in my earlier post here. And I’ll start putting up a thread to discuss Season Three episodes each Sunday, starting this afternoon.

Here’s a taste of Season Two to hold you over until 3pm.

Be Not Offended, Dear Cesario

Thursday, February 15th, 2007

SuchShakespeareStuff is now Shakespeare Geek. I was checking out the links over there when I came across a post by someone named Cesario listing her ten unpopular opinions about Shakespeare. I don’t agree with everything she says, but I applaud people who are willing to post unpopular opinions, and I’d like to add my twopence to the conversation.

1. This stuff about Shakespeare being [someone else] is arrant nonsense.

Strongly agree. There’s no good evidence that this is true, and most of the arguments you hear are either elitist or overly-ambitious.

2. Twelfth Night is at its root a deeply creepy and disturbing play

Mildly agree. The play does have a dark side, to be sure. The Andrew subplot is creepy, the Malvolio subplot is disturbing, and did I hear Orsino correctly in the last scene? He’s actually going to kill Cesario to spite Olivia?

3. Shylock is not the hero of Merchant of Venice. He is the villain.

Strongly agree. If you’ve read the play, it’s hard to make the case otherwise.

4. The Macbeths have the best marriage in all Shakespeare.

Mildly disagree. I’ve heard Harold Bloom express this opinion, and I get the equal partnership aspect, but I find their relationship too dysfunctional and codependent to pay them this compliment. The title “Best Marriage in Shakespeare” is a dubious honor, but I think I’d have to go with Brutus and Portia. They seem like they have a really strong relationship. The fact that it can be torn apart by the assassination is a testament to the earth-shattering significance of that event. We won’t count the marriages at the end of the comedies, because who knows how they’ll fare?

5. Lear’s Fool is a subjective reality experienced only by Lear himself.

Mildly disagree, though I like your spirit. Both Goneril and Kent talk directly to the Fool, and others talk about him (such as the Gentleman that Kent meets in the storm). I do think there’s an alter ego reading possible here, but perhaps this is more of a symbolic idea than something that’s literally demonstrable in the play.

6. Hamlet: not really a play.

Strongly disagree. Hamlet is a play. It has searingly powerful dramatic dialogue, a story arc, and character development. There are some stage plays that I would say are not really plays, but Hamlet is a play through and through.

7. I Henry VI is a better play than Richard III.

Strongly disagree, though I think I Henry VI is highly underrated. I also think that Richard III is a much better play after you’ve read the three Henry VI plays. The characters in Richard III have a lot of history, and understanding that history helps explain a lot of their interactions.

8. Claudio and Hero = so doomed.

Strongly disagree. This is the stereotypical couple of Shakespeare’s day. These are the people who wed unthinkingly and play their roles, living happily ever after because they never consider that they may not. They are used by Shakespeare to contrast the much more interesting Beatrice and Benedick who question everything about love.

9. I think Shakespeare was probably Catholic.

No opinion, though there is some reason to believe he may have been. I’m hesitant to make any generalizations about Shakespeare based on his writings, because he was so good at speaking from so many different points of view that it’s impossible to know what’s really Shakespeare himself. Shakespeare may very well have been a soldier, a king, a murderer, a nobleman, a shrew, a fairy, a Moor, an ancient Egyptian queen, or a boatswain. He’s much too clever for me to guess.

10. Titus Andronicus is a farce and would be best played as a Monty Python skit.

Mildly agree. I don’t think the farce is intentional, but playing it as a Monty Python skit would be an improvement.