The third episode of The Tudors airs tonight on Showtime and will be replayed throughout the week. You can also view the episode On Demand.

Via Lara at TudorHistory.org, Variety reports that the show has been picked up for another season. They’ll be able to go through a lot of seasons before they run out of Tudor history, and all of it the stuff of good television.

Use the comments section of this post to discuss the episode. Any comments I may have will be posted in the comments section as well.

WARNING: Comments may contain further discussion of the show, including potential spoilers. Click through only after viewing the episode. Commenters may discuss this episode as freely as they like, but are asked not to spoil future episodes.

By the way, did you know that Henry VIII founded the Anglican Church and converted his whole country from Catholicism so that he could break with the Pope, grant himself a divorce, and marry Anne Boleyn? That’s hot.

It’s been a while since I’ve posted any Animaniacs clips. Here’s a fun song about the US Presidents.

This is just my way of saying that the surroundings may be new, but it’s still the same old blog. Enjoy!

Okay, I’m playing around with a new look for the site (finally!) and I wanted to get some reader input before committing to anything. I have a few specific questions for readers of this site:

1. Do you like the way the site looks now, compared to the old look?
2. Is it easier or harder to read than the old style?
3. Is there anything you were able to do in the old style that you can no longer do?
4. Is anything about this style distracting or confusing?
5. Should I keep it how it is, or put it back how it used to be?

It’s the age-old debate of form vs. function, but I have to say that the site looks a lot more like a ShakespeareTeacher.com than the old style, which looked more like SomeGuysWebsiteIDontCareAbout.org.* Also, I like that there’s a calendar, which I haven’t had before.

Anyway, let’s try this out for a while and see how it goes.

*SomeGuysWebsiteIDontCareAbout.com was taken.

I have been to a theatre abroad and come back;
I’m a doctor legit, though I might treat a quack;
Philadelphia sports fans can visit my plaque;
And I check out your past to make sure you’re on track.

Who am I?

UPDATE: Riddle solved by Lee. See comments for answer.

Discuss.

I overheard this once on a train and was never able to figure it out. Maybe someone here can help me.

Imagine I have two envelopes and I tell you truthfully that both contain money and that one envelope contains twice as much money as the other. I offer you your choice of envelope and you choose one of them without opening it.

Now I ask you if you would like to switch envelopes. You chose yours randomly, so it’s a 50/50 chance whether the other envelope contains half as much or twice as much. So, if the amount you now have is x, there’s a 50 percent chance that switching would get you 2x and a 50 percent chance it will get you x/2. You have twice as much to gain as you have to lose, regardless of how much is in your envelope, so it makes sense mathematically to switch envelopes.

But of course, this is ridiculous, since you have no new information about the two envelopes than you had before. Once you’ve made that switch, by the same logic, you should want to switch again. This much seems obvious. So where’s the flaw in the math above?

By the way, I consulted our good friend Wikipedia before posting this, and it was little help. It just mumbled something about Bayesian Decision Theory and said the problem would be easy if I were a mathematician. It then went on to pose a harder problem in which you can look inside one of the envelopes, and an even harder problem that was way over my head at 5:30 am. Thanks, Wikipedia.

Two weeks ago, the Question of the Week was about books different people were reading. Pensive Ro picked up on the idea and posted the question on her own blog (which you should all visit several times a day until she reaches her 20,000 hits). In the comments section, I mentioned Wikipedia and that sparked a discussion of its own.

Personally, I love Wikipedia. I probably access it more often than any other website. I even made a game out of it which I continued to post to the blog long after it became clear that most people didn’t want to play it. Wikipedia is great for getting background information, or exploring a topic you know very little about. It’s great for learning about new topics and exploring just to see what’s out there.

I would not use Wikipedia to learn more about an area that I’m already an expert in, and I would never cite Wikipedia as a source. You never really know who the author is, and the articles are in constant flux. I wouldn’t respect any argument that relied on information from Wikipedia to make its case. This Onion article is way over the top, granted, but it does make a few valid points.

I was giving a presentation once, and said (after giving the above argument) that there had been studies done that demonstrate that Wikipedia is just as reliable of a source as the Encyclopedia Britannica. Someone asked me what my source for that was, and I couldn’t resist answering “Wikipedia” though I had heard it in legitimate news outlets as well.

Fine word, legitimate. We know that news sources have bias. Could it be that Wikipedia’s negotiated definition of reality is more objective than any one source can be? Perhaps. And perhaps this is part of a larger trend of how knowledge is now constructed.

For their part, the Wikipedia folks recognize the limitations of their medium and have launched a sister project, Citizendium, which is a Wikipedia-like online interactive encyclopedia that requires contributors to use their real names and is given “gentle expert oversight” by Ph.Ds. Full disclosure: I have a Ph.D. in Shakespeare Teachery, and I can tell you that not all Ph.Ds agree on everything. Or anything, really. You’d think it would work on the level of an encyclopedia, but even many supposed facts are in dispute.

Speaking of Ph.Ds, something interesting just happened over at Weblogg-ed. Will Richardson posted an article about a new degree in Social Computing which he thinks is worthy of ridicule. Some interpreted this as a rebuke of higher education in general, and a fierce debate was sparked. Richardson then issued a clarification. Definitely worth checking out.

What’s your opinion of Wikipedia and the changing nature of authority?

Just a reminder that the second episode of The Tudors airs tonight on Showtime, and will be replayed throughout the week. You can also view the episode On Demand, or for free online.

Use the comments section of this post to discuss the episode. Any comments I may have will be posted in the comments section as well. Honestly, I haven’t seen the first episode yet, but I will post my comments in that thread once I have, and will post my comments here when I’ve seen this episode.

WARNING: Comments may contain further discussion of the show, including potential spoilers. Click through only after viewing the episode. Commenters may discuss this episode as freely as they like, but are asked not to spoil future episodes they may have seen online or elsewhere.

By the way, did you know that Catherine of Arragon, the first wife of Henry VIII, was the daughter of King Ferdinand and Queen Isabella of Spain? That’s hot.

At the risk of appearing like I’m trying to out-geek the Shakespeare Geek, here’s another list.

You’ve seen my top 25 favorite plays and my top 25 favorite scenes (then expanded to 50). Here are my top 50 favorite characters (or groups of characters) from Shakespeare’s plays at the present moment. Enjoy! And feel free to add to the conversation, especially if I’ve left some of your favorites out!

50. The Nurse (Romeo and Juliet) – The play may be a tragedy, but the Nurse is one of the great comic roles in Shakespeare.

49. The Duke of York (Richard the Second) – The remaining son of Edward III is so loyal to the King, he’ll turn in his own son as a traitor.

48. Sir Toby Belch (Twelfth Night) – Think Falstaff without the good manners. Half the time he’s plotting; the other half he’s drunk.

47. The Prince of Morocco & The Prince of Arragon (The Merchant of Venice) – It’s hard to tell which of these two suitors to Portia is more unsuitable, or more hilarious.

46. Dogberry (Much Ado About Nothing) – The muddled constable of the watch who bumbles his way into uncovering the evil plot!

45. Helena (All’s Well That Ends Well) – I’ll never understand what a quality woman like Helena sees in a loser like Bertram. Sigh.

44. Richard the Second (Richard the Second) – Too much philosopher, not enough king. But divine right is divine right. Isn’t it?

43. Philip the Bastard (King John) – When you’re already a bastard, who cares what people think of you? Certainly not Philip.

42. Polonius (Hamlet) – He may be a rash, intruding, doddering old fool, but his madness has a method to it. I think.

41. Beatrice and Benedick (Much Ado About Nothing) – You can’t have one without the other. Sharp banter hiding a deep affection – very cool.

40. Portia (The Merchant of Venice) – Unlike some love interests, Portia is actually worth the winning, and not just for her money.

39. Puck (A Midsummer Night’s Dream) – The mischievous sprite who doesn’t mind helping mortals at times, as long as it’s funny.

38. Mercutio (Romeo and Juliet) – The madcap kinsman to the Prince is a grave man when caught between the two houses.

37. Lucio (Measure for Measure) – This guy is a riot from beginning to end, but slandering the Duke to his disguised face rules.

36. Marc Antony (Multiple plays) – His funeral oration is a masterpiece, but his most powerful line? “I am dying, Egypt, dying.”

35. Viola (Twelfth Night) – Her disguise-as-a-boy plan plunges her in over her head, but she handles it all with grace.

34. Brutus (Julius Caesar) – This was the noblest Roman of them all, deeply conflicted and ultimately his own undoing.

33. Cloten (Cymbeline) – Proud, arrogant, foolish, entitled, and a bully, Cloten is nothing but a suit and a title. Fun!

32. The Earl of Kent (King Lear) – Deeply loyal to the King who has banished him, Kent has something to teach us all.

31. Malvolio (Twelfth Night) – He didn’t really deserve what he got in the play, but he is a Puritan, after all.

30. Jacques (As You Like It) – He’s probably bipolar, but he’s a deep thinker and a keen observer of the human condition.

29. Caliban (The Tempest) – Caliban’s antics are a lot of fun, but I’m more interested in his backstory and its meaning.

28. The Weird Sisters (Macbeth) – Do you think the three witches predict the future? Or do they cause it?

27. Tranio (The Taming of the Shrew) – A servant, who we mostly see playing gentleman. At the end, he’s back to waiting tables.

26. Lewis the Dauphin (Henry the Fifth) – We’re shown Henry’s suitability to be the next French king by seeing a weak Dauphin.

25. Isabella (Measure for Measure) – After all she’s been through, the Duke gives her one final impossible test. She passes.

24. Petruchio & Katherine (The Taming of the Shrew) – When an irresistible force meets an immovable object, somethin’s gotta give…

23. Emilia (Othello) – She’d make her husband a cuckold to make him a king, but won’t cover for his wickedness.

22. Iachimo (Cymbeline) – This “Little Iago” is clever and dishonest, and starts up way more trouble than he means to.

21. Enobarbus (Antony and Cleopatra) – A loyal soldier who can’t support Antony’s self-destructive course, and dies of shame.

20. Goneril & Regan (King Lear) – The wicked ones turn on their father, their husbands, their sister, and finally, each other.

19. Jack Cade (Henry the Sixth, Part Two) – This rough-hewn pretender to the throne would abolish money and kill all the lawyers.

18. Helena (A Midsummer Night’s Dream) – My heart just goes out to Helena, who is such a sweet person and gets rotten treatment.

17. Prospero (The Tempest) – The Duke of Milan, and wise old master of knowledge, books, and the elements of nature.

16. Hamlet (Hamlet) – The melancholy Dane helps us understand that murky place between thought and action.

15. Queen Margaret (Multiple plays) – With an amazing character arc that spans four plays, Margaret puts the “It” back in bitch.

14. Rosalind (As You Like It) – Let’s face it – Rosalind carries the whole plot on force of personality. We like her, so it works.

13. Macbeth (Macbeth) – From noble warrior to homicidal maniac, Macbeth experiences an incredible transformation.

12. Bottom (A Midsummer Night’s Dream) – The megalomaniac actor! We can all recognize him, but do we recognize ourselves in him?

11. Cleopatra (Antony and Cleopatra) – She’s a strong, empowered woman who’s not above using sex as a political tactic.

10. Edmund (King Lear) – A charming villain – all honor on the outside, and evil on the inside. What a bastard!

9. Othello (Othello) – A complex and passionate character, who loved (and trusted) not wisely, but too well.

8. Sir John Falstaff (Multiple plays) – A drunk, a theif, a liar, a glutton, and a pure hedonist. And those are his good points.

7. Duke of Gloucester/ Richard the Third (Multiple plays) – Since he cannot prove a lover, he is determined to prove a villain!

6. Shylock (The Merchant of Venice) – The Jewish moneylender may be the villain, but Shakespeare shows us his human side.

5. King Lear (King Lear) – Is dying the worst thing that can happen? What about having it all and watching it fade?

4. Prince Hal/ Henry the Fifth (Multiple plays) – Shakespeare traces England’s great hero from his wayward youth to his victory in France.

3. Lady Macbeth (Macbeth) – An equal partner in evil to Macbeth, and a force to be reckoned with. But then she breaks.

2. The Fool (King Lear) – The Fool balances that fine line between jesting clown, and sharp commentator on events.

1. Iago (Othello) – The hands-down, pure evil incarnate, puppet master general. But why does he do it?

Based on the overwhelming response to yesterday’s post listing my top five and twenty favorite scenes from Shakespeare, I’ve decided to post my next five and twenty favorite scenes from Shakespeare. The standard disclaimers apply.

50. Antony and Cleopatra: Act 5, Scene 2
The captured Cleopatra has been placed on suicide watch. But she has a poisonous asp smuggled in, and delivers the fatal wound to her bosom. “Does thou not see the baby at my breast,/That sucks the nurse asleep?”

49. Macbeth: Act 5, Scene 5
In the heat of battle preparations, Macbeth receives news that his wife has died. He allows himself a reflective moment where he ponders the meaninglessness of brief life. And for that moment, we remember that this monster was once a human being with the capacity for reason and love.

48. Richard the Third: Act 3, Scene 7
In the final stages of his plan to seize the crown, Richard orchestrates a show where his friends and lackeys beg him to be king, and he says no. Finally, he relents. “I am not made of stone”

47. Henry the Fourth, Part Two: Act 5, Scene 5
Now that his buddy Prince Hal has become King Henry the Fifth, Falstaff thinks that he’s going to play a very important role in the new administration. Falstaff has another think coming.

46. As You Like It: Act 3, Scene 2
This is a somewhat varied scene, and a lot of fun things happen in it, but the main point is that, having discovered that Orlando is writing love poems to her and hanging them on trees in the forest, Rosalind decides to allow him to believe she is a boy, and offers to cure him of his love by pretending to be his love.

45. Henry the Sixth, Part One: Act 2, Scene 4
In the Temple garden, partisans of the King and of Richard Plantagenet pluck red and white roses respectively to show their support. Could this lead to war? And what might we call such a war?

44. Macbeth: Act 1, Scene 3
Returning from battle, Banquo and Macbeth are greeted by three witches who predict that Macbeth will become Thane of Cawdor and then King. Then, messengers from the King arrive and tell Macbeth he has just been named Thane of Cawdor. Things that make you go hmmm…

43. Hamlet: Act 3, Scene 2
Unsure whether or not to trust the ghost’s word, Hamlet stages a play mirroring the circumstances of his father’s death, so he can watch his uncle’s reaction. Does the plan work? Big time. And Hamlet’s famous advice to the players is in this scene, too.

42. Henry the Sixth, Part One: Act 4, Scene 5
The great Lord Talbot fears that his forces will be defeated in tomorrow’s battle. So he sends for his son, young John Talbot, and tells him to flee before the battle. John refuses, and they debate in rhymed couplets. It’s not a long scene – go read it.

41. King Lear: Act 1, Scene 4
The banished Kent returns in disguise and offers to serve Lear. We meet the Fool, whose jests reveal both a fondness for Lear and a bitter disapproval of his actions. Lear’s curse on Goneril at the end makes the scene extraordinary.

40. Henry the Fifth: Act 2, Scene 2
Henry has discovered three traitors among his officers. Before revealing this, he asks them what the penalty should be for traitors. His own oratory in this scene is powerful.

39. Julius Caesar: Act 4, Scene 3
Brutus and Cassius, having murdered Caesar, now lead an army against his partisans. In this scene, the growing tensions between them explode, and lead to an unexpected outcome.

38. Henry the Fourth, Part Two: Act 4, Scene 5
Prince Hal finds his father asleep, assumes he’s dead, and helps himself to the crown. When Hal returns, Dad’s awake, and the two of them have at it. And at the end of the scene, the prophecy he’s been talking about since like two plays ago is fulfilled.

37. Othello: Act 4, Scene 3
A quiet scene between Emilia and Desdemona before all hell breaks loose. This is a study in contrast between the innocent naif Desdemona and the world-wise Emelia.

36. Macbeth: Act 5, Scene 1
Lady Macbeth has been a rock through all of the killing and deception that put her husband on the throne. But now she’s sleepwalking, and everything comes out. Except for that spot of blood.

35. King John: Act 4, Scene 1
King John has sent Hubert to murder the young Arthur to eliminate his challenge to the throne. But the boy talks Hubert out of it. Shakespeare wrote this play after losing his own young son to the plague.

34. Romeo and Juliet: Act 2, Scene 2
Well, what can I say? It’s the balcony scene.

33. Much Ado About Nothing: Act 4, Scene 1
Hero is disgraced by Claudio at their wedding and her cousin Beatrice is beside herself. Claudio’s friend Benedick stays to comfort her. And amid this emotional turmoil, they confess their feelings for each other. He tells her he’ll do anything for her. Her response: “Kill Claudio.”

32. Hamlet: Act 5, Scene 2
Talk about a big finish. This scene is so imprinted on our collective psyche that it almost turns invisible when making a list like this. Almost.

31. Julius Caesar: Act 3, Scene 1
I really like the pacing of the lines just before the assassination. After the deed, the killers are so sure of history’s favorable judgment. And finally comes Antony’s stirring monologue. But my favorite part of this scene is the first two lines.

30. The Taming of the Shrew: Act 2, Scene 1
The first meeting between Petruchio and Kate. Need I say more?

29. King Lear: Act 4, Scene 7
Lear is rescued by and reunited with the daughter he banished. His mind is nearly gone by now, but as he begins to recognize her, he is deeply ashamed of his earlier behavior.

28. Macbeth: Act 3, Scene 4
King Macbeth sees the murdered Banquo at a banquet, but nobody else can see him. Is this the ghost of Banquo come to haunt him, or another hallucination brought on by guilt?

27. Twelfth Night: Act 1, Scene 5
Here we see the first meeting between Olivia and the disguised Viola. At first, Olivia toys with the youth, but then realizes that there’s more to this young “man” than meets the eye.

26. Richard the Second: Act 4, Scene 1
Richard’s reluctant abdication paints a portrait of a man who never asked to be king, but can’t quite give it up. It’s a moment in English history that sparked enough strife for no less than eight Shakespearean histories.

The Top Five and Twenty